Two Feet Crowned Buddha From Nepal

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In the Buddhist belief system, the Buddha is believed to possess three bodies known as “Trikaya” (Tri-three, kaya-body). The body of emanation is called “Nirmanakaya”, the heavenly body is called “Sambhogakaya” and the body of Truth is known as Dharmakaya. Presented here in this glistening gilt copper Nepalese statue, Buddha Shakyamuni appears in his “Sambhogakaya”, emitting bliss for his devoted followers. 

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Item Code: CAA108
Specifications:
Copper With Gold
Height: 23 inch
Width: 14.5 inch
Depth: 14.5 inch
Weight: 15.40 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
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More than 1M+ customers worldwide
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Fair trade

The oval golden platform on which the crowned Buddha statue is placed is distinctively embellished by the sculptor to give it an appearance of the soft petals of a lotus. Moving above, the eye reaches the gorgeous folds of Buddha’s dhoti (lower body garment) spread in front of his folded legs in the fashion of a lovely wildflower. The floral grace continues in the decoration of the Crowned Buddha’s dhoti with pleasing blossoms adorning its entirety. Buddha’s legs in this gilt copper statue are placed in the meditative Padmasana posture, with his right hand dangling in the earth-touching gesture and the left hand placed on his lap. Regal ethnic ornaments beautify this Nepalese crowned Buddha statue, embellished with tiny coral and turquoise stones.


The Crowned Buddha statue has an angelic visage, with sharp features that ironically convey an otherworldly softness. Buddha’s hair delineated with fine lines is tied in an extremely striking updo, which gets enhanced further by the majestic Nepalese five-pronged crown whose fringes curl beautifully on the side of the Crowned Buddha’s face. The detailing on Buddha’s head can be best appreciated on the reverse of this gilt copper Crowned Buddha where the intricacy of his ornamentation is visible noticeably. While reveling in the polishing and sculpting of this Nepalese gilded gem, also notice the indulgent fabric folds on Buddha’s back and a single string running across his back, marking his nearly transparent robe.


Nepalese statues of Shakyamuni Buddha in the garb of a king are an artistic celebration of the sway, that the Buddha and his teachings hold over the world. Dressed like a world ruler, the Crowned Buddha statues represent the Enlightened One as “Rajadhiraja”- king of kings, whose glory has won over even the most violent rulers, converting them into ardent flag bearers of Dhamma.

 

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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