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Tibetan Buddhist Copper Gau Box from Nepal

$254.25
$339
25% off
Includes any tariffs and taxes

Gau box in Tibetan Buddhist culture is an amulet used by traveling devotees to keep the image of the Buddha or protective deities, and medicinal herbs that heal them during their long travels. This pure copper Gau box is made with beautiful simplicity, with two sets of holes to put the string and wear this amulet to keep the powers of one’s divine protectors close.

Specifications
ZDF46
Copper Statue
Height: 4.3 inch
Width: 4.8 inch
Depth: 1.5 inch
Weight 200 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Vessel of Sacred Protection

This exquisitely crafted copper *gau* box, originating from Nepal, is a testament to the rich spiritual heritage of Tibetan Buddhism. More than just an artifact, it is a miniature sanctuary, designed to hold sacred objects and imbue its owner with protection and blessings. The *gau* box, derived from the Sanskrit word *garbha* meaning "womb" or "embryo," traditionally serves as a portable shrine, safeguarding amulets, mantras, miniature Buddha images, or even ashes of revered lamas. Its presence is believed to ward off malevolent spirits and bring good fortune, much like the mythical wish-granting jewels said to be guarded by benevolent Nagas in ancient lore.

Artistry and Symbolism

The intricate design etched into the copper surface speaks of generations of skilled artisans. The central motif, a stylized representation of a syllable or sacred symbol, is deeply embedded within a framework of decorative patterns. These patterns are not merely ornamental; they often carry profound symbolic meaning within Buddhist cosmology. The flowing lines and symmetrical arrangements evoke the sense of order and harmony that practitioners strive to achieve in their spiritual journeys. The form of the *gau* box itself, with its arching top, can be seen as reminiscent of temple architecture or the celestial abode of deities. The aged patina of the copper lends an aura of authenticity and history, hinting at the countless prayers and intentions it has silently witnessed over time.

Cultural Significance

In Tibetan culture, the *gau* box is an essential accessory, often worn around the neck or attached to the waist, serving as a constant reminder of one's spiritual path. It is a tangible connection to the teachings of the Buddha and the protectors of the dharma. The practice of carrying sacred items within a *gau* box is deeply rooted in the belief that the divine essence of these objects can offer solace, strength, and guidance in the face of life's challenges. This particular *gau* box, with its sturdy construction and evident signs of wear, suggests it has been a cherished companion on many journeys, both physical and spiritual, reflecting the deep personal significance these objects hold for their owners. Its creation in Nepal, a land steeped in Buddhist tradition and a vital center for Tibetan Buddhist art, further enhances its cultural value.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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