Shani-Mask (An Auspicious Symbol Guarding the House)

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Item Code: RR66
Specifications:
Brass Sculpture
Height: 12 inch
Width: 10 inch
Depth: 6 inch
Weight: 5 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
This brass-mask, unique in its gold-like lustre and majestic look – an art-piece of rare merit, as also an auspicious cover guarding against all evils when placed on a wall of the house, represents the face of Shani, the seventh of the nine planets that rule over twelve zodiac divisions. Shani, also known as Shanaishchara, and in European world, as Saturn, is considered more powerful than most of the other eight planets. Believed to be horrible looking and quick-tempered inflicting any kind of harm if annoyed, the legendary Shani, endowed with great energy, benefits its subject beyond proportion when appeased; however, it is the same otherwise, when displeased. Being corrosive by nature, not known when it might adversely affect its subject, people evade both its favour and disfavour.

An allegory pointing towards this nature of Shani contends that Shani has its house on the mound of gold but, not around on the mound, Shani always looks below and beyond it in the darkness. This mask with gold’s glow on the face and with impenetrable darkness in the eyes seems to reconstruct this allegory into a visual medium. Shani’s ways are obscure, and designs, intricate. Slower than the sun and faster than most other planets, Shani, riding its iron chariot, accomplishes its round of the earth in thirty months period; obviously it frequents a zodiac division faster than do most other planets, and hence, its influence is more often and more powerfully felt. Conventionally Shani loves oil as offering made to it, perhaps because it helps lubricate and move the wheels of its iron-chariot, which it rides, and which, being over-used, frequently jam.

The Indian astrology classifies all planets either as auspicious or as inauspicious. Similarly, every planet has a phase of positive influence leading its subject to greater heights in the areas it operates in, as also a phase of negative influence when it affects reversals. Tough to deal with, and powerful in casting its influence, Shani is classed among inauspicious planets. Obviously, Shani inflicts severer damage than do other planets when it passes through the phase of negative influence, though contrarily in the phase of its positive influence its power to uplift is simply tremendous. It bestows its subjects with unprecedented happiness and wealth when by their worship they are able to appease it.

Basically a mask for a wall in the house, this magnificent brass cast is both, a lustrous art-piece as also an auspicious symbol guarding the house-inmates from all evil influences whether planets-generated or otherwise. The representation of a mere face, in the mask reflects Shani’s complete astrological personality. Its gold-like lustre symbolises its power to bestow happiness and riches, and is also suggestive of its origin from the sun, while in its horror-inspiring owl-like eyes, wide open mouth and dark recesses set within the eyes and the mouth reveal its fearful aspect as also Shani’s links with darkness, which it inherited from its mother Chhaya – shadow, the sun’s other wife. Dotted eyeballs, large fully exposed teeth, threadlike textured moustaches with knotted ends and over-large and thickly conceived eyebrows, and an over-imposing headdress appropriately define Shani’s character, nature and ways, and all so powerfully that the rest of the planet’s figure, its anatomy and mythicism, becomes irrelevant.

This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.


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How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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