Heramba Ganesha

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$1044
Item Code: ZC83
Specifications:
South Indian Temple Wood Carving - Sculpted in the Round
Height: 2 ft
Width: 1 ft
Depth: 0.3 ft
Weight: 3.10 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
This five faced manifestation of the elephant headed god represents his Heramba Ganapati form. In this form Ganapati is conceived with five heads and eight to ten arms. Heramba Ganapati is known and revered as the 'Protector of poor' and as the deity who bestows bliss all over. He guards all directions with his four faces and all worlds below and above with the fifth one. He has been conceived with a complexion of the moon and also as much soothing and shining. Heramba Ganapati rides a lion, has one tusk broken and wears a garland upon his chest. He carries in his hands a noose, rosary, axe, mace or hammer, fruit and 'modaka'. Gestures of protection and bliss characterise his demeanour. One and sometimes two of his hands impart 'abhaya', or the boon of fearlessness.

This magnificent piece of wood-art manifests this most difficult form of Ganesha iconography but only after severally deviating from the prescribed line. The image of the lord is not only without the prescribed lion but also without his usual mouse. It is likely that a detached and unsupported figure of the deity imbalanced by its difficult and disproportioned iconography consisting of five heads and ten arms could not be conveniently installed on a lion. The absence of "abhaya' is significant. In three of his ten hands he is upholding his broken tusk and in all five trunks he is holding 'modaka' like looking auspicious pots symbolising variedly rain, Ganga, earth, ocean and affluence, though not carrying as prescribed any fruit, rosary, or even 'modaka' in any of his hands. The garland has been replaced by lavish ornamentation and a rich girdle around his belly.

His delicately carved figure has been installed on a beautiful pedestal consisting of a lotus. With his bejewelled tender feet he appears to be moving as if for the protection of his devotees, which as Heramba Ganapati is his prime act. He is wearing a 'dhoti' with fine wrinkles on it. His pot like belly has on it a yajnopavita and a broad girdle with motifs of lotuses and beads. On all five trunks he has 'tripunda' mark characterising him as a deity of Shaivite line and a repeated circle indicative of cosmos rotating with and within the wheel of time. Ganesha

, as the god of 'ganas', has his eyes fixed on this circle, that is, both the time and space are within his purview. He is wearing a lace of beads on each of his trunks and richly inlaid and patterned Vaishnava crowns on all four heads. He is holding in the hands on his right side a battle axe, broken tusk, mace and sword and in the hands on his left goad, broken tusk,noose shield and book.

Heramba Ganapati forms are a rarity in art obviously because it is tedious for any artistic or iconographic skill to plant five elephant heads on a single human torso. For a medium like wood it is yet more difficult. But the artist has immensely succeeded not only in creating a transparent moon like complexion, sensuous warmth, refined plasticity, unique luminosity and a kind of spiritual serenity in creating his deity image but has also maintained formative proportions, unity of form, symmetry of repeated members and all without letting its aesthetics suffer. The figure of the deity, with a shorter height as compared to width and small legs overshadowed by a pot like belly protruding over them, is as much quaint and child-like.

This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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