The first Prakasha or section of the Indian text Shilpaprakasha, a treatise on architecture and sculpting talks about a popular element in Indian temple art- beauteous young women, in different postures and forms adorning the walls and other parts of the sanctum with their grace. These enchanting maidens are called “Alasya Kanya” or idle women, a name derived from their laid-back attitude and bodily posture in which their allure is best displayed by the sculptor. According to the Shilpaprakasha- “As a Vaasa (home) and Kreeda (playfulness) is incomplete without the presence of a young woman, so is art without the imagery of the feminine, fruitless and devoid of pleasure.” The numbers of Alasya Kanya are 16 or 32 or even more, but the essence of these stunning female icons is one- the artistic exaltation of fertility and auspiciousness possessed by women.
One of the most recurring motifs from the Alasya Kanya retinue is the lady with a mirror, also known as Darpana, who holds a darpana or mirror. This large wooden statue of Darpana depicts a young maiden applying vermillion, engrossed in gazing at her beauty, which can mesmerize humans, gods, Yakshas, and Gandharvas (celestial beings).
A spurt of greenery surrounds the youthful maiden, who herself seems to be bustling with the joy of the arrival of youth. Her left hand is raised to her head, with her finger pointed at her hair parting as she applies Sindoor or vermilion. Sindoor in Hindu culture is the most important ornament of a married woman, who is seen as a symbol of auspiciousness and fecundity. The plentitude of vegetation, the chirping birds sitting on the vines, and the femininity that the wooden Darpana statue displays are all ancient Indian motifs that represent propitiousness and a desire that fertility and richness never end.
Ornate jewelry, breast ornament fashioned from delicate blue lilies, and an elaborate girdle beautify the celestial charm of the lady with the mirror. Measured incised lines on her face by the maker of this woodwork reveal the ideal of Indian femininity in art.
How to care for Wood Statues?
Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.
It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.
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