This Discrete Ashtalakshmi Panel with Miniscule Ganesha-Head, framed in brass, is an exquisite handmade creation originating from India. This artistic masterpiece showcases meticulous craftsmanship, featuring a panel depicting the eight forms of the goddess Lakshmi, the embodiment of prosperity and wealth. The panel is supported by all the eight forms of Goddess Laxmi- Adi Lakshmi (The primeval mother goddess), Dhana Lakshmi (goddess of wealth), Dhanya Lakshmi (goddess of harvest), Gaja Lakshmi (goddess of strength and force), Santana Lakshmi (goddess of procreation and offspring), Veera Lakshmi (goddess of bravery and power), Vijaya Lakshmi (goddess of victory), Aishwarya Lakshmi (goddess of luxury and comfort).
The minuscule Ganesha head adds a touch of divine charm. Encased in a brass frame, this piece not only celebrates cultural richness but also exemplifies the skilled artistry of Indian craftsmen. It becomes a framed tableau of spiritual significance and artistic finesse, offering a harmonious blend of sacred symbolism and traditional craftsmanship to adorn any space.
As the wife of Lord Vishnu, Devi Lakshmi is the presiding deity over wealth and resources. To Her husband, the presiding deity over preserving existence, She is indispensable. Understandably, She is widely worshipped in ihaloka, which could not be preserved without material affluence. In traditional form, Devi Lakshmi is resolved into the Ashtalakshmi form, a composite of eight (‘ashta’) Devis, each of whom signifies one of the eight sources of wealth.
The composition that you see on this page comprises eight square-shaped panels of each of the Ashtalakshmi, arranged in two rows of three panels each and one (the top one) with a miniscule Ganesha-head between the remaining two Ashtalakshmis. Clockwise from top left, the Ashtalakshmi are Adi Lakshmi, Dhana Lakshmi, Dhyana Lakshmi, Gaja Lakshmi, Santana Lakshmi, Veerya/Dhairya Lakshmi, Vijaya Lakshmi, and Vidya Lakshmi. The names translate to classical, wealth, grain, elephant (cattle), progeny, valour/patience, victory, and learning, each of which is symbolic of a source or means of affluence. They are adhered on a stretch of fabric, which is mounted on a dark-polished wooden stand.
Note the tiny bell dangling from the trunk of the Ganesha-head at the top row. It adds to the auspiciousness of the work. Zooming in on each of the Ashtalakshmi as well as the Ganesha-head will enable the viewer to appreciate the high-precision engraving and the flawlessly executed iconography of each deity.
How to care for Wood Statues?
Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.
It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.
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