This brass-statue represents a winged Naga-kanya, a maiden with a serpent’s lower half. Almost all ancient mythologies world-over comprise the concept of half man-half serpent and half maiden-half serpent, often interacting with the world of man.
As regards the cult of man-serpent mixed forms, Indian mythology is far more elaborate though strangely while it talks with definiteness about different serpents and their lineage, about seven-eight of them being major having well defined line, role, personality, lands they ruled or influenced, and their related myths, it is almost conspicuously silent about Naga-kanyas except sometimes as wives of these Nagas or in some minor mythological contexts.
Ananta or Shesh, Vasuki, Takshaka, Karkotaka, Padma, Mahapadma, Shankhapala, Kulika among others are the names of some of the multi-hooded serpents, each heading a line, and each capable of taking to any form. Ananta, Vasuki and Takshaka are said to have been five-hooded. Maybe, the artist has conceived this five-hooded Naga-kanya as the wife of one of them.
With a conch in her hands the figure of the Naga-kanya is obviously in the prayer mode making an offering. Though the deity, the offering is made to, is not known, the conch being Lord Vishnu’s attribute, the Naga-kanya might be seen as offering it to him. Being a creature of the ocean, and the conch, ocean’s product quite within her reach, for the Naga-kanya the conch might have been the most natural thing to offer to Lord Vishnu. Perhaps a forgotten context in a myth or legend, the Naga-kanya is seeking to please Lord Vishnu so that he commands the Great Bird Garuda, his vehicle, not to destroy the Nagas’ race.
This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
For privacy concerns, please view our Privacy Policy
Send as free online greeting card
Email a Friend
Manage Wishlist