13" Uma sahita Shiva in Ecstatic Dance In Brass | Handmade | Made In India

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

In this modeling of the figures of Uma and Mahesh features of the Chola art tradition are exceptionally well pronounced. Sharp nose with elevated middle, lotus-eyes, cute small lips, pointed well-defined chin, large ears with ear-lobes reaching down the shoulders, tall slender figures with perfectly balanced anatomy, curvatures and contours of raised arms and bent legs, styles of partly covered foreheads, Uma’s, with her hair, and Shiva’s, with an ornamental band, Uma’s knotted hair, laid in front over her right shoulder, and Shiva’s coiffure, alternated by a towering crown and an elaborate floral disc on the back, modeling of Uma’s breasts and Shiva’s chest part, styles of tight-clinging and grooved ‘antariya’ : Shiva’s, short, and Parvati’s, long, Shiva’s large ‘yajnopavit’, and their identical ‘kanthis’ – chains or laces worn around the neck, with moderate circular pendants are features characteristic to statue of early Chola period.

The statue is a delightful blend of contrasts. From every part of the figures of Shiva and Uma there reveal great ecstasy, emotional fervour and eloquence but without affecting the figures’ basic poise. The mute gestures of their figures reveal a dialogue more powerfully than would express any set of the spoken words. The artist has arrested the two figures into a static posture firmly fixed into a position, though strangely this static posture is composed of fluid contours, flexion and gyrating bodies exploding with energies and lively movements. The metal’s hardness seems to melt in the overall disposition of the figures, especially the sway of Uma’s hands and legs, ecstatic gestures, ‘bhavas’ on their faces, and passion in eyes, and in their overall mood.

The statue of Umasahita Shiva has been installed on a three-tiered pedestal shaped like an upside down boat. Its base consists of stylised lotus moulding. Over it is a moulding consisting of floral arabesques, and that on the top is a plain one. Towards the pointed edge behind the figure of Shiva there emerges a tall lotus-stem type column terminating on its top into a four petalled lotus. While holding Uma on his left leg and bending on his back Shiva seeks support of this lotus-stem. In the Shiva’s hand and with forked apex it looks more like his trident rather than the lotus-stem. Shiva is standing on the toe of his right leg and Uma’s figure, supported on it, almost swings above the ground. Her figure seems to gyrate around Shiva’s. As Shiva has sought support from the lotus-stem, Uma holds the end-part of her sash, and with her left ringing around Shiva’s neck, his figure. The beautifully carved sash looks like a musical instrument and as if she is paying on.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.

Exploring the Symbolism and Significance of Parvati in Hinduism

Goddess Parvati, the consort of Lord Shiva, is one of the principal deities of Goddesses in Hinduism. She appeared in the material world as the daughter of Himavan, king of the Himalayan mountains. The Vedic scriptures describe her as a young, beautiful woman who is chaste and faithful to her husband, Lord Shiva. She is always engaged in the loving service of her family; her two sons Ganesha and Kartikeya. Goddess Parvati is the embodiment of devotion, love, power, and beauty. The followers of the Shakta tradition (Shaktism) describe her as Adi Shakti or the energy behind the creation of material nature. She is very merciful toward all living entities like a mother who cares for her children and manifests many forms to protect them from miscreants. Her most venerated and important powerful forms are Durga and Kali that she took to vanquish demons who created havoc in the material world.

The Vedic scriptures talk of her beautiful form in detail. She wears a red saree and is generally seated, having two or four arms, beside Lord Shiva. Her younger son Ganesha sits on her knee, while Kartikeya sits or stands near Lord Shiva. Goddess Parvati is typically decorated with gold ornaments and a crown on her head and also carries a lotus flower in one of her hands.

What does Parvati symbolize?

Goddess Parvati is gentle and loving toward everyone. She never fails to help and guide those who approach her out of helplessness. Just as a mother is always kind toward her children, Goddess Parvati, being mother nature, is forgiving to all living entities. But when the time comes, she assumes different terrible forms such as Durga and Kali to defeat demons in order to protect the material world. She took the form of Durga and killed the demon Mahishasura. Kali, the most ferocious form, slayed the demon Raktabija. Thus, Goddess Parvati not only symbolizes love, fertility, motherhood, and harmony, but is also the Goddess of power, energy, and destruction.

Can we keep Shiv Parvati statue at home?

It is stated in Srimad Bhagavatam, the most glorious Vedic literature, that Lord Shiva is the topmost Vaishnava (devotee of Lord Vishnu): vaiṣṇavānāṁ yathā śambhuḥ. In order to get the mercy of the Supreme Lord Vishnu, it is important for us to serve His pure devotees. Thus, worshiping Lord Shiva along with his consort Goddess Parvati at home is the way to the heart of Lord Vishnu. But you must also know the standards of worshiping them so that no offense is committed at their lotus feet. If Lord Shiva and Goddess Parvati are pleased with your devotional service, you will easily get the causeless mercy of Lord Vishnu and thus the ultimate goal of your life will be achieved.