The Tantric System of Chakras

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The seven chakras are:

Muladhara Chakra: Muladhara means "root foundation", and is hence also known as the root chakra. It is located at the base of the spine. This chakra has four petals and rules the organ of smell, the nose. Its presiding deity is Brahma.

Svadhishthana Chakra: In Sanskrit, Svadhishthana means self-abode. It is situated in the spine in the region just above the genitals, and is made up of six petals. This chakra governs the principle of taste, and its presiding deity is Lord Vishnu.

Manipura Chakra: Manipura means "the city of gems", and this chakra is thought to be radiant like a city of jewels. It is also called the 'navel' chakra since it is located behind the navel. It is made up of ten petals, and its presiding deity is Rudra. The Manipura chakra rules over the sense organ of sight, the eyes.

Anahata Chakra: Anahata means "unstuck sound", and it is from this chakra that the inner sounds or natural music of the body is said to arise. It is made up of twelve petals and is located along the spine at the level of the heart. Its presiding deity is believed to be Isha. It governs the organ of touch, the skin.

Vishuddha Chakra: Vishuddha means "very pure", and as such this center is believed to very subtle. It is made up of sixteen petals, and the presiding deity is Ardhanarishvara. This chakra governs the organ of sound, the ears, and is located in the throat.

Ajna Chakra: Ajna means command, and this chakra is called the center of command as it is from here that the other chakras are guided. It is often called the Third Eye, and is located between the eyebrows. and its presiding deity is Paramashiva. It rules over the mind as a sense organ.

Sahasra Padma Chakra: Sahasra in Sanskrit means thousand, and padma means lotus, this chakra hence is also known as "the thousand petalled lotus." It is located above the crown of the head. It is the meeting place of the Kundalini Shakti with Shiva. It governs the voluntary nervous system, and is said to be the seat of pure consciousness or ultimate bliss.

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Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.