Monotone Mandala Of Lord Manjushri

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$318.75

$425

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Crudely put, a mandala is a map of one’s spiritual makeup. It is a schematic visual representation of the macrocosm and a symbolic image of the microcosm. Derived from the Sanskrt root, the word ‘mandala’ literally means a discoid, but in Vajrayana Buddhism it refers to the closed curve or set of curves unique to each of its deities. The one that you see on this page is the one-of-a-kind Lord Manjushri mandala.

At once recognisable from the sword He wields high above His head, the haloed Lord Manjushri floats about in a sea of silken sashes in the centre of the mandala. He is surrounded by circular rows of long-haired bodhisattvas in the midst of their tapa, their bodies having assumed the finest vrikshanas (asana pertaining to the values of the tree). On the outside of the closed rectilinear curves are the structures of HImalayan temples and ascetics steeped in samadhi (contemplation). The same are interspersed with gentle clouds of an ashen colour, in keeping with the monotone composition.

Note the miniscule, curvaceous lines that make up the ringlets of lotus petals and flames, respectively, surrounding the main mandala of Lord Manjushri. A seductive shade of charcoal makes up the solid-coloured background of the mandala. A snatch of vine laden with lotuses and jewels and leaf, an essential element of traditional Nepalese art, is to be found in each of the four corners of the thangka.

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Item Code:	TY13
Specifications:	Tibetan Thangka Painting
Dimensions	Size of Painted Surface 16.0 inch X 18.0 inch Size with Brocade 25.0 inch X 34.0 inch

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Click Here to View the Thangka Painting along with its Brocade

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.

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