Tibetan Buddhist Eighth Karmapa Mikyo Dorje

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$145

Mikyo Dorje was the eighth Karmapa. His title means the head of the Karma Kagyu, one of the four major sects of Buddhism in Tibet. He was born in 1507 and died in 1554. His birth was also a source of great anecdote. It is said that when he was born in the Satam in Eastern Tibet, he was said to have spoken “Karmapa” upon birth. His legacy includes commentary on Madhyamaka, Abhidharma, Tantric, and Mahamudra content. He also presented guru yoga in four sessions which then became a foundation for some Karma Kagyu lessons.

The eight Karmapa was also said to be good at painting and metal crafting. This thangka is a fitting tribute to him who has greatly influenced the art pieces in his generation. In this depiction, he is shown in a seating vajra position on a moon disc and lotus throne. He wears the three red robes of a monk as well as the Karmapa’s signature Black Hat (Vajra Crown). His arms are crossed, the right one over his left, in a vajra humkara mudra. He holds the two-method and wisdom attributes of the five-pronged golden vajra and ritual bell. These two lay above blue lotus, the color of the flower symbolizes triumph over the senses and of wisdom. His expression shows a mix of bliss and emptiness. His aura is also painted blue and gold, accentuated with color in the lotus throne. The bottom part appears a set of offerings that traditionally is a skull cup with swirls of blue nectar and blood along with the sense organs for heart, nose, eyes, ears, and tongue.

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Item Code:	TX15
Specifications:	Tibetan Thangka Painting
Dimensions	Size of Painted Surface 14.5 inch X 20.5 inch Size with Brocade 26 inch X 41 inch

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Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.

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