Samantabhadra, signifying Buddhist practice, forms a sacred Trinity with Manjushri and Vairocana in Chinese Buddhist art. Samantabhadra is commonly represented riding a six-tusked elephant; several examples of this artwork can be seen in Tang-era Dunhuang. Samantabhadra is a bodhisattva who is frequently shown alongside Manjushri. In Sanskrit, the name Samantabhadra means "Universal Worthy." Meditation and deliberation are related to Samantabhadra.
This stunning Samantabhadra Bodhisattva crimson red thangka is framed with the motif of Samantabhadra who is one of the Shakyamuni trinity. Samantabhadra is riding on a sacred six tusk elephant each tusk signifies joy, kindness, knowledge, liberation, illumination and wealth whilst the milky white elephant symbolizes strength, power and resistance. In his trunk, he wields a sharp-pointed chakra, a weapon he uses as a flail to destroy the enemy. Notice the contrary rose-coloured aureole from which the paisley motif is flourishing. Great skill is employed in the depiction of clouds in thangka painting. Clouds are usually shaded from a white base colour at the top but the colour used in thangka is rare and expensive. Only in very finely painted thangka the choreographic movements of clouds can resemble a divine ballet of the heavens.
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