The film explores the owesome rock cut sculpture of the Badami caves in the Bijapur district of Karnataka, created under Western Chalukya King Mangalesha in the Sixth century A.D. ‘The wonderful workmanship’, ‘atyadbhutakarmaviracitam’, is celebrated in the royal inscription of 579 A.D. Androgynous Shiva Ardhanariswara, Harihara, Vishnu Trivikrama, Bodhisattva Padmapani, cyclopean, ornate and figured pillars provide examples of this workmanship.
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