RAAGADHIRAJ Pt. Bhimsen Joshi. Pt. Bhimsen Joshi’s masterly elaboration of ragas has made him the king (adhiraj) of ragas. He probes into the depths of each raga be performs and every time comes out with the new subtleties.
He develops raga in a slow tempo. Aalap. Gamak. Meend, Bot Taan and Taan are his tools in developing a raga. He believes in Time Theory of ragas. He perfectly knows what the raga itself wants to express.
Some ragas recorded by Pt. Bhimsen Joshi during his prime time for long playing discs have been made available on a compact disc for the first time over here.
SUR MALHAR is an anytime monsoon song. But outside rainy season it is connected with the second prahar of day. It is associated with Shringar Rasa.
YAMAN KALYAN is an early night raga having Shringar Rasa at its centre. It is a fountain of inexhaustible possibilities.
MIYA MALHAR is a seasonal raga to be sung in autumn. It manifests Adhbut Rasa.
“PIYA TO MANAT NAHI” is a THUMRI in MISHRA KAFI.
“JO BHAJE HARI KO SADA” is a BHAIRAVI BHAJAN that has enthralled the listeners for over a period of four decades.
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