Shirdi Sai Baba was a revered saint and spiritual master in India with many Hindu and Muslim practitioners, even presently following his teachings. Although the year of his birth is not known accurately, some followers consider it either 1835 or 1838. He lived his entire life as a renunciant and formed beautiful relationships with his followers. Much of his life incidents and pastimes have been shared by his close followers. His name Sai Baba is a combination of Persian and Hindi words which denote him as a “Saintly person who is like a fatherly figure for everyone”. In this article, we shall closely observe Sai Baba’s glorious life journey and the message he preached.
Named after the city of their origin, Mysore paintings developed from the earlier Vijaynagar murals and art, painted on the walls of the grand temples of the royal city. In the 17th, 18th, and later centuries, inspired by the frescos of sanctums like Hampi’s Virupaksha Mandir, these paintings grew into a distinctive art form.
The Chitrakara or painters, engaged in the artworks, were initially nurtured by the Vijayanagara kingdom, but after its fall, they had to scatter and find patrons in neighboring regions. Not just kings, but elites, ministers, and high-ranking officials of the states came forward to patronize the artists, preserving the painting style further.
Indian artwork has always mesmerized the world because of the handiwork that goes into it. Out of the many Indian art forms that are practiced by hand Mysore wood inlay work remains the most exquisite. A product of many days of precision and patience of the most skilled artisans, wood inlay work involves carving out a particular design on a wooden base using a very sharp tool and filling the hollowed-out part with new material which can be wood of contrasting colors, brass, resin, and even gold and silver. The base is usually of Mysore rosewood but other types of wood can also be used. For instance, Sheesham wood is used to make furniture with inlay work.
Tanjore Paintings best known as Thanjavur Paintings showcase a rich cultural significance in the history of Indian paintings. Dated back to the 11th century, Tanjore art can be seen in the Chola wall paintings and the paintings from the Nayak Period. The fall of the Vijayanagar Empire led to the migration of several painters to the region of Thanjavur, who worked for the Nayakas. The Marathas defeated the Thanjavur Nayakas because of which the local artists were greatly influenced by the taste of the Marathas and included that in their painting style. Traditional Thanjavur paintings differ in size according to the occasion. Large paintings of Deities were placed in the Palaces and buildings to accentuate the beauty of the royalties. These paintings were made on canvas along with the walls, glass, paper, mica, and rare materials like Ivory. Small painted Ivory was worn as a pendant known as Rajaharam and was quite popular back in the time.
Oil painting is a process in which pigmented paints are incorporated with drying oils. It is considered to be one of the most respected types of art. World-famous paintings such as The Starry Night by Vincent Van Gogh and The Kiss by Gustav Klimt were brought to being with oil paints. The most prevalent types of oils used in oil paintings are linseed, walnut, poppy seed, and safflower. Your pick of a certain kind of oil determines the impact on the paint’s properties and the canvas\'s outcome.
The earliest oil paintings were done by a Buddhist artist In Afghanistan dating back to the 7th century AD. The Europeans used earlier oil paint for statues and wood. From the 12th century, its common use for painting began in Northern Europe, and during the Renaissance period usage of oil painting was heightened which led to the removal of the egg tempera paints for the panel paintings. As far as the orthodox icons and wall paintings are considered egg tempera and fresco were relevantly preferred.
I drank with my eyes the beauty of this glamorous woman who stood near Bihari Lal in ecstasy”. These lines are from the poem of Nagari Das aka Maharaja Savant Singh of Kishangarh, the poet-prince who is associated with the conception and origin of one of the most popular and unparalleled figures in Indian art- Bani-Thani or the “bedecked woman”. Emerging as the “Monalisa of Indian Art”, Bani-Thani is the representative of the luxurious and expressive art of Rajput school and a gem in the crown of Kishangarh paintings.
The beauty of the earth bathed certainly caught the attention of the early Indian artists and writers. From the poetry that inspired Saawan’s depiction in Baramasa paintings to the art of Ragamala where the rainy-season melody of Raga Megha is beautifully painted, from the rain-drenched lanes of Vrindavan where Radha-Krishna perform their Lilas to the fearlessness of Abhisarika Nayika, young heroine who walks through the dark forest during a rain storm in night, every corner of Indian art world is enriched with refreshing touch of rain. So pick up your cup of tea and coffee and come with us on an exploration of rain in Indian paintings.
Rajput paintings, from different sub-schools, depict the scenes of Radha and Krishna in the forests or gardens of Vrindavana, where Radha appears in the garments of Krishna as the blue-skinned Krishna veils his face with the chunri of Radha. Some of the inscriptions that accompany classic Ragamala paintings identify Ragini Bhairavi as a maiden (unmarried young woman), who is enamored by the aura of Bhairava, and with a single-minded devotional love, prays to Shiva, for receiving the hand of Bhairava in marriage. Seeing these artworks transports the audience into the romantic world of the subjects- a realm away from the narrowness of the world, where all expressions of Prema, Sringaar, and Kama have found an eternal, aesthetic haven.