With the plan and scope thus somewhat defined, I have generally refrained in this monograph from covering common ground as regards various types of finds already described and illustrated in Mohenjo-Daro and the Indus Civilization, though a little overlapping of such material could not be avoided altogether if the individuality of the site was to be maintained. Happily, Harappa has its own distinct contributions to make to the Proto-Indian Civilization in the shape of the Cemetery with its highly interesting and fascinating pottery much of which is painted and the miniature amulet seals and sealing’s of an amazing variety of Napes associated with strata of the Middle and Early Periods (Pl. LXXXIV), the like of which are not known elsewhere. These discoveries help us in tracing this civilization forwards and backwards from the time it flourished at Mohenjo-Daro.
In making plans of the Cemetery, each burial pot (howsoever small) or earth-burial was plotted with the utmost care : the sections were drawn to the scale of one foot to an inch by means of a dumpy level to allow of groups or individual pots being shown with scientific accuracy exactly in the manner they were found. The whole of Chapter VI, illustrated by 26 Plates (Nos. XLIII-LXVIII), has been devoted to the Cemetery and besides the plans and sections, and photographic views of the two strata of burials and of the contents of burial pots, the types of burial pottery have been illustrated both by means of photographs and drawings, thus bringing out the peculiarities of the highly interesting paintings and the obvious differences between them and the designs painted on household pottery from the city sites (Chapter VII). Inscribed or stamped pottery, again, has been illustrated in 4 Plates (Nos. CI-CIV) as it is much more common here than at Mohenjo-Daro. The bat buildings, so far discovered in the excavations at Harappart, are those of the Middle Period, which • include the Great Granary, one or two better class houses, some neat pavements, wells, and two large public drains of rectangular section. The art of Harappa is similar to what is found at Mohenjo-Daro, but the Harappa torso of a nude male figure in red sandstone and the statuette of a dancer in grey stone (illustrated in Plates LXXX and LXXXI) perhaps mark the acme of perfection that was seldom attained by the ancients until Greek times. In contrast with these, the statuary at Mohenjo-Daro is remarkably poor, even crude. But if Harappa, by its size and importance, may thus be regarded as one of the twin centres of the Indus Valley Civilization, such buildings as it possessed have mostly been swept away by brick .diggings carried on for more than three quarters of a century until the site was declared protected in 1920. So few are the structural remains left that for carrying on work. and recording finds and other facts, I was compelled to stick on till the end to the system of squares referred to at pp. 8 and .9.
In order to show the extent of this civilization, I have added at the end of this volume very brief notices of two other contemporary sites discovered by me, namely, Chak Pourboire Synic, which lies on the deserted bed of the Beas some 13 miles south-east of Harappa and Kotla Nihang Khan near Ropar in the Ambala district between the Sutlej and Jamna. To the already known prehistoric sites in Baluchistan, Sindh, Derajat districts and the Punjab I should add my latest discovery of a site at Rangpuri village in the Limbdi State of Kathiawad near the gulf of Cambay. Besides other things, I found that the pottery of this site bore a family likeness to that of the Indus sites and striking resemblances to paintings on the Harappa burial pottery.
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