The Eighty-Four Hymns of Hita Harivamsa – An Edition of the Caurasi Pada (Text, Transliteration, Translation and Explanation)

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The Caurasi Pada (Eighty-four Hymns) is a sixteenth-century anthology of devotional Braj Bhasa verses ascribed to Hita Harivamsa, a devotee of Radha. With the delicacy of their language and the intensity of their sentiments, these poems recreate the bucolic world of Jayadeva; and their devotional content gives them an unrivalled place in the history of Vaisnava devotional literature. The text, which comprises the theological basis of the Radhavallabha sampradaya, appears here for the first time in a critical edition and is accompanied by a fully annotated rendering in English. The study which follows the text examines its language and prosody, with particular reference to the musical talas in which it is sung in the contemporary tradition of the Radhavallabhi hymnal; and a further section traces the processes by which the text has been transmitted by sectarian tradition over the centuries.

Rupert Snell is a senior lecturer in Hindi at the School of Oriental and African Studies, University of London. His published work includes studies of modern Hindi grammar and prose style; but he has a special interest in Braj Bhasa poetry, and has Written on various aspects of the devotional traditions which use this language as the main vehicle of their expression. The Radhavallabha Sampradaya, the subject of the present book, has been a particular focus of interest. Dr Snell is currently working on a Braj Bhasa Reader, designed as an introduction to the language and conventions of pre-modern religious and secular poetry.

Of the numerous Braj bhasa devotional texts written or compiled during the l6th and l7th centuries, the Caurasi pada (CP) has a particular importance between of its attribution to Hita Harivamsa, regarded as the ‘founder’ of one of the Krsnaite sampradayas established at that time. The Radhavallabha sampradaya does not boast the specifically theological treatises which are found in related traditions, and sectarian theology is largely deduced from works attributed to Hita Harivamsa, especially the lyrics of the CP. Consequently, a tradition of tika- writing has accompanied the transmission of the CP, and manuscripts with and without tika abound in the private and institutional collections of Vrindaban and its environs. Although comparatively little known outside the sampradaya, the Caurasi pada continues to be an important living work within the Radhavallabhi community, and its currency in temple worship as well as in individual devotions lends an especial interest to its study.

The language of the CP contains a high proportion of tatsamas and semi-tatsamas, and even the tadbhava forms present few difficulties of etymology or meaning: consequently an index verborum has not been included here. Problematic forms are discussed in the annotations to the translation in chapter V, with cross-references to other occurrences where appropriate; such forms are itemized in the index.

My first debt of gratitude is to members of the Radhavallabha sampradaya in Vrindaban, not least because access to privately-owned manuscript collections had made the present work possible: In particular I owe much to Sri Lalita Caran Goswami, to whom this book is dedicated; to Sri Hitananda Gosvami, to Baba Hit Das, and to the samajis of the Choti Sarkar temple. The vivisection of a much-loved work is poor requital for the cordial welcome which I received in Radhavallabhi temples and homes: but if a laying bare of text and tradition appears ruthless, it intends no disrespect, and some reassurance may be offered in a phrase from Caurasi pada 82, binu bhusana bhusita braja gori, ‘without adornment is the fair lady of Vraja adorned’.

The staff of the Vrindaban Research Institute have given generously of their assistance, both in the procuring of texts and in the providing of" personal contacts within the labyrinthine religious communities of present-day Braj.

The greater part of this study was written under the guidance of Professor J.C. Wright, whose awesome knowledge of Indo-Aryan language and literature has been both an inspiration and an invaluable support throughout. I am also indebted to Dr. J.D. Smith and Dr. D.R. Widdess, who have made helpful comments on the contents of Chapter VI; and to Dr R.D. Gupta, Dr R.S. McGregor, Professor C. Shackle and Mr S.C.R. Weightman, who have commented on specific points and advised on the general organization of material. I also thank the Publications Committee of the School of Oriental and African Studies for meeting part of the cost of publication. Textual editing easily becomes an all-engaging obsession equal to that shown to a parakiya; to my svakiya, Mary, I owe the traditional vote of thanks for keeping her displays of mama to a minimum. I am very grateful to Acharya Sripad Baba, of the Vraja Academy, for permitting the reproduction of the painting on the dust-jacket; and also to Dr. Grahame Niemann for kindly providing the photograph.