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Art of Bengal a Vision Defined (1955-1975)

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Item Code: HAX376
Author: Editor Rudrangshu Mukherjee
Publisher: Lalit Kala Akademi
Language: English
ISBN: 8187977027
Pages: 154 (Colour and B/W Illustrations)
Cover: PAPERBACK
Other Details 11.00x10.00 inch
Weight 1.18 kg
Book Description
Foreword In our continued effort to document the history of contemporary art in India, we have undertaken a I knew project titled Art of Bengal a vision defined. We earmarked the year 2000 by curating the first exhibition of the series which focused on the central premise of the artists of the last hundred and fifty years, and its catalogue carried a detailed overview of that period written by prominent members from the art community. With this exhibition we shift our perspective and examine in depth the shifting artistic vicissitudes of the two decades (1955-1975), which are considered to be the seminal phases of the development of contemporary art in Bengal.

The ten artists selected belong to the generation that largely reworked and repositioned the stance of visual art in modern India. Founded on the detailed academic study made of the period by Dr. Rudrangshu Mukherjee. Dr. Bhaswati Chakravorty, Dr. Sovon Som, and Ms. Rita Datta, this exhibition and the book hold the glass closer to the historical, socio-cultural, and artistic conditions of the period.

The book "Art of Bengal a vision defined concentrates on delineating the total creative output of a generation, its commitment, and its philosophical and ethical concerns. During this period, the artists, having discarded the robe of colonialism along with all its appendages, wove instead a new cloth. Coloured by local motifs and patterns, and completely consistent with indigenous history and practices. At the same time they were educated in democratic values and empowered by the euphoric sense of Freedom, which was the dominant spirit of the country.

Consequently, they created a canvas that was bold, confident, comfortable with western aesthetic pedagogy, and highly energetic and individualistic. The emphasis was on innovation and introspection, and the outcome of this exploration demonstrated an unprecedented kind of vigour and clarity. The artisan explored universal ideas through indigenous sensibility and ideals. It is no wonder then that their work very quickly touched a deep and resonating chord with the intelligentsia of the country. Their art become more meaningful and widespread in the sub-continental context. This book charts the trajectory of that complex and compelling story.

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