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Mahadevi's Emergence from Cosmic Void
Watercolor On Paper Artist Kailash Raj 10.75" X 9.5"
Mother Goddess Durga
Oil on Canvas 36 inches X 36 inches
Navadurga - The Nine Forms of Goddess Durga - KUSHMANDA
Watercolor on Cotton Artist Manohar Saini 17.5" X 27.5"
Oil on Canvas 35.5 inches X 44.5 inches
The Tantrik Sadhana of Mahavidya Chinnamasta
Watercolor On Paper Artist Kailash Raj 7.0 inches X 10.5 inches
Santoshi Mata - The Goddess of Contentment
Water Color On Silk Artist Manohar Saini 1.6 ft x 2.4 ft
"The Mother Goddess is India's supreme Divinity... In fury or in frown, she is always the same protective, caring, loving Mother with a benign face and a blessing hand... In her material manifestation, She represents, with absolute motherhood, also the absolute womanhood. She causes life and sustains it, and is also the cause of life, its inspiration and aspiration, and the reason to live... She is the eternal upholder of Dharma and truth, the promoter of happiness and the giver of salvation and prosperity but also of sorrows, grief and pain... As Adi Shakti, She represents Prakriti, which operates in and on all things, the manifest or otherwise, materially present or abstract..."
"A virgin blooming with fresh youth, the luster of her body was like the rising sun. Three-eyed, her face was endowed with the beauty of ten million cupids (Kamadeva)...Blossoming breasts which surpassed even the buds of a lotus (in softness)...Wishing to pay obeisance to her, the gods then got down from their chariot and approached the goddess. No sooner had they done so than she transformed them all into beautiful, young maidens....A weak man is declared to be without any Shakti, nobody says that he is without Shiva, or without Vishnu. They are all called Shakti-less; no one says that this man is Shiva-less "
The role of the goddess as one who fulfills wishes has remained one of enduring strength and consequence. In the ancient collection of sacred hymns known as the Veda, this aspect of the goddess already becomes manifest. The two most shining examples in this context are The Great Goddesses Lakshmi and Saraswati.
"Iconographically, they (Mahavidyas) are individually shown dominating male deities. Kali and Tara are shown astride Shiva, while others like Shodashi sit on the body of Shiva... By subverting... conventional social norms, the adept seeks to liberate his or her consciousness from the... inhibiting categories of proper and improper, good and bad, polluted and pure."
"In classical mythology the raison d'кtre of Parvati's birth is to lure Shiva into marriage and thus into the wider circle of married life from which he is aloof as a lone ascetic, living in the wilds of the mountains. The goddess represents the complementary pole to the ascetic, world-denying tradition in the Hindu ethos. In her role as maiden, wife, and later as a mother, she extends Shiva's circle of activity into the realm of the householder, where his stored-up energy is released in positive ways."
ଶ୍ରୀମ୍ ଭଗବଦ୍ଗୀତା: Srimad Bhagavad Gita With Word to Word Meaning (Oriya)
ସ୍ବାମୀ ରାମସୁଖଦାସ (Swami Ramsukhdas) Hardcover
ಶ್ರೀ ಶರಭ ಕಲ್ಪಃ - Sri Sharabha Kalpah (Kannada)
Ganesh Devy and Naushil Mehta Hardcover
Phonemic Frequencies in Marathi and Their Relation to Devising a Speed-Script (An Old and Rare Book)
Shriram Vasudeo Bhagwat Paperback
The Upanishads (Katha - Prashana - Mundaka)
Sri M Paperback
ऋग्वेद प्रातिशाख्यम् (संस्कृत एवम् हिन्दी अनुवाद): Rgveda Pratisakhya of Saunaka