Free shipping to all destinations worldwide.
Sign in
Contact us
FAQ
All
Statues
Books
Jewelry
Clothing & More
Paintings
Home & Living
Audio Video
Wishlist
My Orders
Cart
Please wait
Audio Video
Audio Video
Hindu
Hindu
Bhajan
Chanting
Discourses
Ganesha
Gayatri
Gita
Goddess
Hanuman
Krishna
Mantra
Puja
Shiva
Sikh
More Hindu
Indian Classical Music
Folk
DVDs
Discourses
Dance
Culture
Buddhist
Children
Audio Books
MP3
Music Therapy
Others
Sufi and Ghazals
Tantra
Teach Yourself
Yoga and Meditation
Recommendation for
Audio Video
Hindi Bhajans (Audio CD)
Jewelry
Jewelry
Hindu
Hindu
Bracelets
Earrings
Ganesha
Goddess
Gods
Hanuman
Krishna
Navratna
Necklaces
Om
Pendants
Rings
Rosary
Shiva
Sikh
More Hindu
Pendants
Pendants
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Malachite
Moonstone
Pearl
Peridot
Rosequartz
Sterling Silver
More Pendants
Buddhist
Buddhist
Ashtamangala
Bodhisattva
Buddha
Gau
Mandala
Mantra
Om
Tara
Wrathful
More Buddhist
Earrings
Earrings
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Malachite
Moonstone
Pearl
Peridot
Rose Quartz
Sterling Silver
More Earrings
Anklets
Rings
Rings
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Malachite
Moonstone
Pearl
Peridot
Rosequartz
Sterling Silver
More Rings
Fashion
Fashion
Bangles
Earrings
Kundan
Lacquer
Necklaces
Polki
Shringar
Victorian
More Fashion
Tantra
Stone
Stone
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Moonstone
Pearl
Peridot
Ruby
Sterling Silver
Tourmaline
More Stone
Sterling Silver
Sterling Silver
Anklets
Bracelets
Earrings
Necklaces
Pendants
Rings
Sets
Wholesale Lots
More Sterling Silver
Wholesale Lots
Wholesale Lots
Anklet
Bracelet
Earring
Necklace
Pendant
Rings
More Wholesale Lots
Gold
Gold
Designer
Diamond
Earrings
Necklaces
Nose Rings
Pendants
Precious
Religious
Rings
Semi-precious
Sets
More Gold
Bracelets
Bracelets
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Malachite
Moonstone
Pearl
Peridot
Rosequartz
Sterling Silver
More Bracelets
Sets
Necklaces
Necklaces
Amber
Amethyst
Carnelian
Chalcedony
Citrine
Coral
Garnet
Labradorite
Lapis Lazuli
Malachite
Moonstone
Pearl
Peridot
Rosequartz
Sterling Silver
More Necklaces
Beads
Beads
Gemstone
Sterling Silver
Precious
Gold Plated
Findings
Faceted Gems
18 kt Gold
More Beads
Brass
Recommendation for
Jewelry
Mathapatti Mattal Designs Bharatanatyam Jewellery Set
Paintings
Paintings
Tanjore (Thanjavur)
Tanjore (Thanjavur)
Masterpieces
Shiva
Durga
Ganesha
Goddess
Hanuman
Kamadhenu
Karttikeya
Krishna
Lakshmi
Rama
Sai Baba
Saints
More Tanjore (Thanjavur)
Hindu Gods & Goddesses
Hindu Gods & Goddesses
Masterpieces
Ganesha
Goddess
Hanuman
Krishna
Music
Shiva
Vishnu
More Hindu Gods & Goddesses
Folk Paintings
Folk Paintings
Pattachitra
Pichhwai
Madhubani
Kalamkari
Mata Ni Pachedi
Phad
Mysore
Warli
Masterpieces
Batik
Kerala Mural
More Folk Paintings
Oil Paintings
Oil Paintings
Animal
buddha
Ganesha
Goddess
Krishna
Lady
Love
Paintings of Sculpture
Saints
Shiva
More Oil Paintings
Collections
Collections
Abstract
Acrylic
Buddha
Charcoal
Cultural
Figurative Art
Fine Art
Hindu God
Hindu Goddess
Landscape
Mandala Art
Mixed Media
Modern Art
More Collections
Buddhist Thangkas
Buddhist Thangkas
Japanese style thangka paintings
Kubera (Dzambhala) (Jambala)
Newari
Padmasambhava (Rinpoche)
Refuge Tree ( Lineage Tree)
Vajrasattva
Wheel Of Life
Yogini
Bodhisattva
Buddha
Father Mother
Goddess
Gurus
More Buddhist Thangkas
South Indian
Mysore Wooden Inlay
Mysore Wooden Inlay
Animals
Ganesha
Goddess
Jesus Christ
Lord Hanuman
Lord Krishna
Lord Shiva
Lord Vishnu
Murugan (Karttikeya)
Processions
Sai Baba
Tirupati Balaji (Venkateshvara)
Village
More Mysore Wooden Inlay
Large Sized Paintings
Large Sized Paintings
Goddess
Krishna
Mughal
Persian
Procession
Saints
Wildlife
More Large Sized Paintings
Tantra
Tantra
Chakras
Goddess
Mahavidyas
Occult
Yantra
More Tantra
Masterpieces
Persian
Mughal
Mughal
Architecture
Courtesan
Fantasy
Genre
Harem
Hunting
Mystics
Portraits
Processions
More Mughal
Cultural
Sikh Art
Recommendation for
Paintings
Gandhara Buddha | Batik Painting
Statues
Statues
Hindu Gods & Goddesses
Hindu Gods & Goddesses
Lord Rama
Masterpieces
Modern Art
Ritual & Puja Items
Silver Statues
Small Sized Statues
Wood Carvings
Apsaras
Ganesha
Goddess
Hanuman
Krishna
Shiva
Vastu
More Hindu Gods & Goddesses
Small Sized Statues
Small Sized Statues
Ganesha
Superfine
Buddha
Copper
Diyas and Lamps
Garuda
Goddess
Groups of Deities
Hanuman
Kali
Kamadhenu
Karttikeya
Krishna
Kuber
More Small Sized Statues
Brass Statues
Brass Statues
Masterpieces
Small Brass Statues
Apsara
Bodhisattva
Buddha
Ganesha
Goddess
Hanuman
Krishna
Large Statues
Ritual
Shiva
Tribal
Vishnu
More Brass Statues
Bronze (Panchaloha) Statues
Bronze (Panchaloha) Statues
Hoysala Art
Masterpieces
Shiva
Buddhist
Durga
Ganesha
God
Goddess
Hanuman
Karttikeya
Krishna
Lakshmi
Lamps
Narasimha
More Bronze (Panchaloha) Statues
Ritual & Puja Items
Ritual & Puja Items
Abhishek Patra
Karttikeya's Vel
Trishul
Bells
Bowls
Boxes
Conches
Incense Burners
Lamps
Musical
Shiva Linga
Thalis
Tibetan
Vastu
More Ritual & Puja Items
Wood Statues & Wall Panels
Wood Statues & Wall Panels
Hanuman
Masterpieces
Sandalwood
Teak Wood
Vintage
Wood Wall Panels
Apsara
Buddhist
Ganesha
Goddess
Krishna
Large
Masks
Shiva
More Wood Statues & Wall Panels
Stone Statues
Stone Statues
Buddha
Ganesha
Garden Statue (Large)
Gemstone
Goddess
Granite
Krishna
Marble
Masterpieces
Modern Art
Odisha Stone
Saints
Shiva
Shiva Linga
More Stone Statues
Nepalese Statues
Nepalese Statues
Khukuri
Kubera
Masterpieces
Mudras
Padmasambhava
Prayer Wheels
Silver
Vintage
Bodhisattva
Buddha
Goddess
Gurus
Hindu
Ritual
More Nepalese Statues
Framed Sculpture
Artifacts
Large Sized Garden Statues
Large Sized Garden Statues
Hanuman
Modern Art
Stone
Apsara
Buddhist
Ganesha
Goddess
Krishna
Nataraja
Ritual
Shiva
Vishnu
Wood
Wrathful
More Large Sized Garden Statues
Buddhist
Buddhist
Buddhist Statues from Nepal
Masterpieces
Wood
Bodhisattva
Buddha
Feng Shui
Goddess
Gurus
Japanese
Medicine
Mudras
Ritual
Tantric
Wrathful
More Buddhist
Copper Statues
Copper Statues
Buddhist
Ganesha
Garuda
Goddess
Hanuman
Karttikeya
Krishna
Rama
Ritual
Shiva
Vishnu
More Copper Statues
Tantra Statues
Tantra Statues
Ardhanarishvara
Astrological
Goddess
Linga
Ritual
Shakti
Shiva
Tibetan Buddhism
Wrathful
Yantra
More Tantra Statues
Statues From South India
Statues From South India
Apsara
Ardhanarishvara
Boxes
Bronze
Cedarwood
Ganesha
Goddess
Hanuman
Karthikeya
Krishna
Lamps
Shiva
Vishnu
More Statues From South India
Dolls
Dolls
Barbie
Costume
Hindu
Puppets
More Dolls
Recommendation for
Statues
57" Large Tribhanga Krishna With The Kadamba Tree Behind Him
Books
Books
Hindu
Hindu
Vedas
Upanishads
Puranas
Ramayana
Mahabharata
Dharmasastras
Goddess
Bhakti
Saints
Gods
Shiva
Journal
Fiction
More Hindu
Rare Books
Sanskrit
Sanskrit
Astrology
Ayurveda
Gita
Hinduism
History
Language & Literature
Learn Sanskrit
Mahabharata
Performing Art
Philosophy
Puranas
Ramayana
Sanskrit Grammar
More Sanskrit
Hindi
Hindi
Hindu ( हिंदू धर्म )
Tantra ( तन्त्र )
Vedas ( वेद )
Ayurveda ( आयुर्वेद )
Chaukhamba | चौखंबा
Jyotish ( ज्योतिष )
Yoga ( योग )
Ramayana ( रामायण )
Gita Press ( गीता प्रेस )
Sahitya ( साहित्य )
History ( इतिहास )
Philosophy ( दर्शन )
Santvani ( सन्त वाणी )
More Hindi
Tantra
Tantra
Abhinavagupta
Buddhist
Chakra
Goddess
History
Kundalini
Mantra
Original Tantric Texts
Philosophy
Shaivism
Yantra
हिन्दी
More Tantra
Ayurveda
Ayurveda
Acupuncture & Acupressure
Gem Therapy
Homeopathy
Massage
Naturopathy
Original Texts
Reiki
Therapy & Treatment
Tibetan Healing
Yoga
हिन्दी
Ayurveda
More Ayurveda
Regional Languages
Regional Languages
Assamese
Bengali
Gujarati
Kannada
Malayalam
Marathi
Nepali
Oriya
Punjabi
Tamil
Telugu
Urdu
More Regional Languages
Performing Arts
Performing Arts
Aesthetics
Biography
Carnatic
Cinema
Dance
Folk
Hindustani
Instruments
Music
Natyasastra
North Indian Music
Notations
Original Texts
More Performing Arts
Language and Literature
Language and Literature
Christian
Biography
Children’s Books
Dictionary
Drama
Fiction
Grammar
History
Islam
Kamasutra
Pali
Panini
Poetry
More Language and Literature
History
History
Hindu
Agriculture
Ancient
Archaeology
Architecture
Art & Culture
Biography
Buddhist
Cookery
Emperor & Queen
Islam
Jainism
Literary
More History
Buddhist
Buddhist
Art
Biography
Buddha
Children
Deities
Healing
Hinduism
History
Language & Literature
Mahayana
Mythology
Philosophy
Sacred Sites
More Buddhist
Astrology
Astrology
Horoscopes
Medical Astrology
Nadi
Numerology
Original Texts
Palmistry
Planets
Romance
Vastu
Vedic Astrology
हिन्दी
More Astrology
Art and Architecture
Art and Architecture
Aesthetics
Architecture
Buddhist
Folk
Goddess
Gods
History
Iconography
Islam
Jewelry
Modern
Painting
Sculpture
More Art and Architecture
Philosophy
Philosophy
Hindu
Philosophers
Aesthetics
Comparative
Dictionary
Ethics
Language
Logic
Mimamsa
Nyaya
Psychology
Samkhya
Shaivism
More Philosophy
Yoga
Yoga
Asana
Bhakti Yoga
Biography
Hatha Yoga
Kaivalyadhama
Karma Yoga
Kriya Yoga
Kundalini Yoga
Massage
Meditation
Patanjali
Pranayama
Women
More Yoga
Recommendation for
Books
Secrets of Indian Herbs for Good Health
Clothing & More
Clothing & More
Sarees
Sarees
Art Silk
Handloom
Jamdani
Kalamkari
Uppada
Baluchari
Banarasi
Bandhani
Bomkai
Bridal
Chanderi
Chikankari
Embroidered
Ikat
Kanjivaram
Kantha
More Sarees
Shawls & Scarves
Shawls & Scarves
From Nepal
Kutch
Dupattas
Jamawar
Kani
Kashmiri
Kullu
Men
Pashmina
Printed
Scarves
Silk
Stoles
More Shawls & Scarves
Kurta Pajamas
Kurta Pajamas
Casual
Dhotis
Jackets
Sherwanis
Wedding
More Kurta Pajamas
Kids Wear
Kids Wear
Boys
Girls
More Kids Wear
Mens Dhotis
Mens Dhotis
Cotton
Draped
Ready to Wear
Silk
More Mens Dhotis
Salwar Kameez
Salwar Kameez
Designer
Anarkali
Bridal
Churidar
Lehenga Choli
Parallel
Patiala
Printed
Wool
More Salwar Kameez
Skirts
Skirts
Casuals
Ghagra
Long
Midi
Mini
Trousers
Wrap Around
More Skirts
Lehenga Choli
Womens Tops
Womens Tops
Cholis
Dresses
Jackets
Kaftans
Kurtis
Phirans
Ponchos
More Womens Tops
Made to Order
Made to Order
Banarasi
Bandhani
Chanderi
Chikan
Cotton
Designer
Georgette
Silk
Wool
More Made to Order
Ethnic Dresses
Co-ords
Religious
Religious
Bags
Buddhist
Decor
Fabrics
Goddess
Hindu
Prayer Shawl
Tops
More Religious
Wholesale Lots
Wholesale Lots
Cushion Covers
Hand Bags
Saris
Shawls
Tops & Skirts
More Wholesale Lots
Footwear
Footwear
Mens
Sandals
Shoes
Women
More Footwear
Bags and Accessories
Bags and Accessories
Face Masks
More Bags and Accessories
Borders and Patches
Borders and Patches
Banarasi
Embroidered
Floral
Laces
Narrow
Parsi
Patches
Printed
Sequined
Wide
Zardozi
More Borders and Patches
Fabrics
Fabrics
Borders
Brocade
Georgette
Khadi
Patches
Poly Silk
Tibetan
More Fabrics
Recommendation for
Clothing & More
Reversible Super Silk Jamawar Stole with All-Over Weave
Home & Living
Home & Living
Home Decor
Home Decor
Bidriware
Metal Tree Wall Art
Wall Decor
Urlis
Table Decor
Handles, Locks & Knockers
Candle Stands
Vases
Planters & Pots
Wooden Windows
Islamic Decor
More Home Decor
Modern Art
Modern Art
Abstract
Animal Figures
Anthropomorphic
Woman
Yoga
More Modern Art
Puja Temples
Antique Indian Doors
Furniture
Furniture
Chowkies and Stools
Console Table
Tables
More Furniture
Floor Rugs and Carpets
Floor Rugs and Carpets
Kashmiri Rugs
Kilim Rugs
Mats
More Floor Rugs and Carpets
Musical Instruments
Papier Mache Art
Bedding
Bedding
Bedspreads
Cushion Covers
Quilts
More Bedding
Hardware
Kitchen & Dining
Kitchen & Dining
Nut Cracker
Table Covers and Runners
More Kitchen & Dining
Animal Figurines
Animal Figurines
Birds
Bulls
Camels
Cats
Cows
Deers
Dogs
Elephant Statue
Fish and Water
Giraffes
Horses
Peacocks
Tribal Animals
Wild Cats
More Animal Figurines
Storage and Organisation
Storage and Organisation
cabinets
Jewellery Storage
More Storage and Organisation
Mirrors
Vastu
Holiday Decor
Games and Books
Lighting
Home and Fragrances
Recommendation for
Home & Living
5" Small Elephant Figurine | Hoysala Art Bronze Statue
Luxe
Best Deals
Newsletter Archive
Share
Email
Whatsapp
Facebook
Pinterest
Twitter
Copy link
Showing 361 to 432 of 439 results
Article Category
All Article
Men Fashion
Shri Ram
Books
Lord Krishna
Artwork
Yoga
Jewelery
Painting
Hindu
Buddhist
Display 72 items per page
Display 24 items per page
Display 48 items per page
Display 72 items per page
Sort by New to Old
Sort by New to Old
Sort by Old to New
Showing 361 to 432 of 439 results
Article Category
All Article
Men Fashion
Shri Ram
Books
Lord Krishna
Artwork
Yoga
Jewelery
Painting
Hindu
Buddhist
Sort by New to Old
Sort by New to Old
Sort by Old to New
Dance : The Living Spirit of Indian Arts
"In Indian tradition dance was...a divine dimension of the man's act... The dancer...sublimated his own self...and united with the supreme Self... The ancient Indian mind...had unique reverence for dance... it conceived its gods as dancers discovering in dance the accomplishment of their assigned functions, ranging from creation to annihilation, and the divine grace - an essential attribute of gods... The tradition...acclaims Shiva as both, the first exponent of dance and the first linguist... Vishnu...is revered as the 'Adi-nratya-guru' along with Shiva and Kali... Dance has been classified under four categories...secular; ritual; abstract; and, interpretive... India's art imagery and sacred architecture found...in dance its most natural and intimate idiom..."
Published in Apr 2006
Lotus : From a Pond to a Palace Dome
"(The) lotus...has more symbolic applications - material and spiritual, than has any other symbol in India's arts, religions and systems of thought... lotus as a flower had an early presence, at least during the Indus days if not before... (The) lotus attained great significance in Buddhism even before Buddha was born, and emperor Ashoka must have been acquainted with it when he chose a lotus motif for his pillars... (The) mystic character of lotus inspired the Buddhist mind...to bow to it in reverence... Puranas discovered its many new dimensions... lotus stood basically for the divine element in which were manifested fertility, prosperity, fruition, and riches, and hence when associated with a divinity, it multiplied such divinity's power also to propitiate... lotus represented the unfoldment of creation and upheld Brahma to effect it... Lotus defined the form of many of the 'yantras' and 'mandalas' - cosmic diagrams and graphics, revealing definite process of cosmic laws and energies which acted alike on sensible and supersensible levels... The symbology of lotus extends also to Indian music and dances... In classical temple architecture, the entrance to the 'garbhagraha' was defined by an elaborate lotus motif... The lotus...was thus conceived as the instrument of light and spiritual realization..."
Published in Mar 2006
Cultivating Loneliness : The Ethical Fragrance of Yoga
"...'When an individual is firmly established in non-violence (ahimsa), all beings who come near him also cease to be hostile'... Patanjali is the author of the de facto text of yoga - 'The Yoga Sutra.'... Patanjali's scripture not only provides yoga with a thorough and consistent philosophical basis, but in the process, also clarifies many important esoteric concepts (like karma), common to all traditions of Indian thought... Patanjali's is a far-sighted vision of universal humanity... The desire not to harm others is an essential ingredient in cultivating a mental state recognizing the essential unity underlying all living beings, leading towards ultimate mystical union, envisaged as the final goal of yoga..."
Published in Feb 2006
The Forms of Shiva in Visual Arts
"Shiva's...is the imagery and iconography that evolved over a period of five millennia - perhaps the longest period for an image, or worship tradition, to have evolved and sustained through... Shiva's imagery reveals wondrous unity and unique growth perspective... there is absolute unanimity in regard to the fact that he had iconic presence much before the Vedas came into being... Shiva has been conceived in visual arts as timeless youth, though sometimes with moustaches defining an advanced age and sometimes without them close to juvenescence..."
Published in Jan 2006
I am God : Autobiographical Fragments from the Bhagavad Gita
"The Bhagavad Gita consists of seven hundred verses. Out of these, a massive 574 have been uttered by Krishna himself, giving us an unparalleled insight into the true nature of divinity... (It) is in many ways God's picture album filled with self-portraits... The Great Teacher knows that human intellect is but naturally attracted to what it perceives to be extraordinary. This is made explicit when he defines himself to be 'the brilliance of all that is brilliant and the splendor of all that is splendid.'... God is present in all that is good and bad. The choice however remains ours... That is the reason he points out to us various specific and temporal manifestations of his otherwise endless and eternal glory.
Published in Dec 2005
Kuan Yin, The Compassionate Rebel
It is frequently described as a love for all beings, equal in intensity to a mother's affection for her child... the defining symbol of...the Chinese assimilation of Buddhism...is the goddess...Kuan Yin...who with her sweet and merciful disposition, has won the hearts of not only the Chinese, but also profoundly affected even those who, belonging to a foreign tradition, have only had a fleeting interaction with her... Kuan Yin is the Chinese version of the male god Avalokiteshvara, whom the ancient texts eulogize as the patron deity of compassion... (She) is a symbol...of the many hued flavor of karuna, expressed through the softer wisdom of a woman... Though often images are encountered, which show her sporting a moustache, emphasizing masculinity; this is negated by the softness of her demeanor... Can anything be more subtly female than her graceful poise - modest and inward looking, yet potent enough to generate and compassionately nourish the whole outside world?"
Published in Nov 2005
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man's 'bhava-jagat'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - 'rasika', as he is called, witnesses a dramatic performance for the enjoyment of 'Rasa'... This 'Rasa'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject's instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created 'Rasa', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - 'gunas' as he called them; ten faults - 'doshas', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat's perception was thus broad as well as minute and analytical..."
Published in Oct 2005
Love, The Living Spirit of Khajuraho
"Kapalika tantrikas believed that...instinct to love, Kama, was body's...enlivening strength...which charged in sexual union prepared body...soul and mind for harbouring all pleasurable sensations which finally led to parmananda...when...self united with and merged into universal or cosmic self...Khajuraho (was) its best laboratory... Khajuraho temples have hundreds of sculptures portraying various positions of coition and love making... which the modern mind would consider obscene and vulgar... (Khajuraho) temples were always thronged by crowds of mahantas and common devotees. Obviously, people those days thought of sex and love differently... (khajuraho temples are) amongst the finest works of art that man's creative genius might claim to have ever created on the earth... Whatsoever human imagination conceives, it will fall short of the magnificence that these stone structures breathe..."
Published in Sep 2005
Serpents, Spirals and Prayers - A Journey Through Symbolic Forms in Jewelry
"...notwithstanding the injunctions to the contrary, the moon as a symbol continued to fascinate humans... the appearance of the new crescent was often greeted with joy as a return of the moon from the dead... It is...auspicious to craft the crescent out in silver... (The) active engagement of the two principles...(of) opposites in dynamic harmony...was given visual form in an ingenious diagram known in Chinese as the Tai Chi Tu (Yin Yang)... The spiral is one of the oldest pagan symbols in existence. It represents the perpetual motion of life, with the spring-like coils suggesting latent power, presenting a picture of life as an endless, evolutionary process bound within the cycles of time... The cross is also a cosmic symbol, with its vertical and horizontal lines spanning the universe... "
Published in Aug 2005
Healing Through Faith and Love - A Case Study of Sri Ramakrishna
"Girish's...intellect continued to refuse to accept (Sri Ramakrishna) as a guru... (He) asked..."What is a guru?" (Sri Ramakrishna replied)..."A guru is like the matchmaker who arranges for the union of the bride with his bridegroom. Likewise a guru prepares for the meeting of the individual soul with his beloved, the Divine Spirit..." Ramakrishna...asked a disciple to sing..."Go into solitude and shut yourself in a cave. Peace is not there. Peace is where faith is, for faith is the root of all."... It was (the) transformed soul (of Girish) who began the practice of paying homage to Sri Ramakrishna..."
Published in Jul 2005
Ardhanarishvara in Art and Philosophy
"Barring a few exceptions, the right half of the Ardhanarishvara images comprises of male anatomy and the left that of the female. A few images, obviously influenced by Shakta cult, have a vice versa placing of the male and female parts also.... Despite a similar anatomy of the two parts, the female part imparts the feeling of elegance and tenderness. An elegantly modeled prominent breast is the essentiality of the female anatomy.... A Greek myth also comes out with a hermaphroditic form. Salamacis, a nymph, falls in love with Hermophroditus, the son of Aphrodite. After Hermophroditus turns down her proposal, Salamacis prays gods to put her into his body. And, thus, the two join limb to limb into a single frame. This Greek hermaphroditic form has mythical dimensions but it is neither divine nor cosmic or procreative, such as is the Ardhanarishvara form."
Published in Jun 2005
Forms of the Formless - an Interpretive Study of the Indian Trinity
"Though by their fundamental nature arts are conditioned to use form even for representing the abstract, yet they perceive this duality- the Formless appearing with a form... the Divines and mortals are just components of the same composite whole, which is existence... It is this perception of the Indian mind...that discovers the Divine in mortals and the aspects of the born ones in the Divine... cosmic activity has three aspects - the creation, the preservation and the dissolution... (the) three aspected cosmic act is the role of the Formless and it is only in such role that the Unmanifest manifests. The Indian tradition conceives the Great Trinity - Brahma, Vishnu and Shiva, as representing these three aspects and thereby the Unmanifest One..."
Published in May 2005
Fiction in Mughal Miniature Painting
"Fiction in Mughal miniatures...are widely considered the couriers of realism in Indian art... the art is as appropriate a vehicle of fiction as the literature. Art does not always have tales to tell but is also not without them. The miniature art inclines to be realistic but even in portraying the real it often takes recourse to fiction... Realism, whether in art or literature, is not fiction's antithesis. On the contrary, it is as much an aspect of fiction as that of the realistic art... the fiction that evolved in early Indian miniatures is incidental to its source material, that is, the texts, which it illustrated... Mughal art continued with the text-based fiction illustrating...Persian classics..., the Ramayana, Mahabharata..and many others..."
Published in Apr 2005
Life of Shankaracharya - The Adventures of a Poet Philosopher
"Shankaracharya's philosophical outlook can be summed up in one word Advaita, 'Dvaita' meaning duality and the prefix 'A' negating it... The goal of Advaita is to make an individual realize his or her essential (spiritual) identity with the supreme realty Brahman... Shankara was not the founder of the theory of Advaita... What he however did was to bring all the various streams of Indian thought...under the common roof of Advaita... In addition to composing numerous texts and verses delineating the essential principles of non-dualistic Vedic philosophy, a significant contribution of Shankara is his commentary on the principal Upanishad texts and the Bhagavad Gita as also the Brahma sutras... Shankara'a purpose is not to intimidate the reader with abstract technical jargon; but rather provide him/her with spiritual insight "
Published in Feb 2005
The Many Forms of Mahakala, Protector of Buddhist Monasteries
"Each of the three forms of Mahakala has some distinctly different qualities and aspects.... The continuous counting of the rosary is a symbol of perpetual activity, which Mahakala achieves on a cosmic scale.... An elephant-headed entity lying crushed under his legs represents our instinctive, primary animal force and urge... The blazing fire surrounding him demonstrates his powerful energy out to consume all neurotic states of minds.... Mahakala's typical blackness symbolizes his all-embracing, comprehensive nature, because it is the hue into which all other colors merge; it absorbs and dissolves them. Just as all colors disappear in black, so do all names and forms melt into that of Mahakala. Black is also the total absence of color, again signifying the nature of Mahakala as ultimate reality.... He is the transcendent-time (maha-kala), absolute, eternal, measureless, and ever present." Discusses the deity Mahakala, an important figure in Hinduism, Buddhism, and Tibetan culture.
Published in Jan 2005
Awakening the Inner Woman - Bhakti and the Doctrine of Love
"The intense passion of Mirabai, which sought to model itself on the fervent ardor of the gopis of Vrindavana, suggests that the lord can be worshipped very effectively if the devotee imagines himself to be a woman... Chaitanya's mystic-ecstatic form of worship openly encouraged male devotees to imagine themselves in the role of gopis... the female...is the more emotional of the two sexes, and bhakti being a necessarily emotional experience, Chaitanya's 'hyper-sentimentality' found adequate expression in the personality of Radha whose intensity of passion can said to have paralleled Chaitanya's own frenzied devotion to the Lord... The Padma Purana says that when the great lord Rama entered the forest named Dandaka, the virtuous sages residing in its wild surroundings desired to engage in lila with the lord. Hence they were all reborn as gopis in Vrindavana, and through physical passion they found liberation from the ocean of existence... Similar descriptions of divine romanticism are found in the mystical literature of other traditions: the Kabbalah speaks of approaching the Absolute with the divine passion of a lover... Indeed, since between lovers there are no secrets, by approaching divinity as a lover we enter into the mystery of god."
Published in Dec 2004
The Iconographic Genesis of Shiva
"Shiva, the Mahadeva, represents...dissolution or destruction of the cosmos...(among) the functional aspects of God, namely, the creation, preservation and dissolution (of the cosmos)... Brahma and Vishnu have their roots in the Vedas, and not before. Shiva has a pre-Vedic origin, as his worship cult seems to have been in vogue amongst the Indus dwellers, even around 3000 B.C... excavated material includes a number of terracotta seals representing a yogi icon and the phallus type baked clay objects...suggestive of some kind of phallus-worship cult of the non-Aryan settlers of the Indus cities... Shiva's divine perception as well as iconic visualization developed into two directions, one growing out of his serene sublime benevolent Saumyarupa and the other out of his awe-striking Raudra-rupa... The violent jungle god of Vedas and the grim looking horn wearing Yogi of Indus emerges upon the altar of the believing ones, on painter's canvas, in metal casters' mould and in the strokes of hammer and chisel, as the harmless Bholanath, the innocence Lord and the good incarnate, as the supreme auspice, the most formidable of divine powers, the paramount lover and the holiest model of the Vedic family cult..."
Published in Nov 2004
Exploring Karma - Tales of a Universal Principle
"The word karma is derived from the Sanskrit root 'kri,' meaning 'to do,' implying that all action is karma. Technically, the term incorporates both an action and its consequence... we...confront a dilemma...namely, the relative impurity and purity of an action... What determines the nature of the karma is the will or intention behind an act... We read in the Bhagavad Gita again and again that we must all work incessantly. There it is also mentioned that all work by nature is composed of good and evil... Good and evil are not constant - they change according to time and circumstance... every act is sacred since we are not the doer but a higher reality is acting through us... Karma yoga is a means for seeking divinity in action and life itself..."
Published in Oct 2004
Iconographic Perception of Krishna's Image
"Lord Krishna...is now for centuries the most cherished theme of arts in India... Unlike Lord Vishnu, who he incarnates, Krishna is...an entity beyond time, without end and without beginning... He has been represented in visual arts... but no...form could ever define him... Forms decompose, erode and are subject to transition, Krishna is not... He exists in what he creates, yet is always beyond it. Thus, all are his forms and yet he is beyond them all... This defines Lord Krishna related art vision and the entire creative endeavor, which always fell short of its theme "
Published in Sep 2004
Mysterious and Inspiring Stories of Hanuman Ji
"In Hindu symbolism, a monkey signifies the human mind, which is ever restless and never still... Hanuman is symbolic of the perfect mind, and embodies the highest potential it can achieve... Hanuman's name...illustrates his self-effacing character, being made up of 'hanan' (annihilation) and 'man' (mind), thus indicating one who has conquered his ego... Hanuman never threatens the world with his virility unlike say Shiva whose virility often has to be restrained by goddess Kali... He is...a perfect karma yogi since he performs his actions with detachment, acting as an instrument of destiny rather than being impelled by any selfish motive..."
Published in Aug 2004
Mughal Miniature Painting - An Alternative Source of History
"The art of painting is often made to face a question: Is it an instrument that calibrates past... whether art is different from history or is only one of its alternative sources...haunt the minds of art critics and as often the conference halls of academic institutions... our mind is always keen to discover in art, whatever its genre, the world that it realizes through its senses or by its intellect and other faculties... Mughal art better reveals the world of Mughal days than do written histories or literary annals... (Indian) miniature art (is) both imaginative and realistic, but it is not imaginative in the sense in which are some of the abstract or symbolic art modes that seek to transform a materially 'existent' into an abstract symbol... The truth of an Indian miniature stands midway, somewhere in between the 'real' and the 'unreal', or imagined, and it is in this dilemma that it discovers its uniqueness..."
Published in Jul 2004
Conception and Evolution of The Mother Goddess in India
"The Mother Goddess is India's supreme Divinity... In fury or in frown, she is always the same protective, caring, loving Mother with a benign face and a blessing hand... In her material manifestation, She represents, with absolute motherhood, also the absolute womanhood. She causes life and sustains it, and is also the cause of life, its inspiration and aspiration, and the reason to live... She is the eternal upholder of Dharma and truth, the promoter of happiness and the giver of salvation and prosperity but also of sorrows, grief and pain... As Adi Shakti, She represents Prakriti, which operates in and on all things, the manifest or otherwise, materially present or abstract..."
Published in Jun 2004
Evolution of the Buddha Image
The Buddha image, which completely revolutionalised, by its great dynamism, unimaginably diversified iconography, massive scale and unique spiritualism, the art scenario in ancient India, seems to have evolved upon human mind during the lifetime of the Buddha himself, although this image of mind took some six hundred years to emerge into stone or clay like mediums. As the Buddhist tradition has it, even during Buddha's lifetime, the idea of making his images persisted in his devotees' minds. The widely quoted legend of king Udayana, commissioning Buddha's image to represent the Great Master during his absence and that of Anathapindaka praying Buddha to allow at least the images of Bodhisattvas, suggest that his followers contemplated the possibility of covering their Master's absence by his anthropomorphic representations even before the Mahaparinirvana.
Published in May 2004
Putting The Ocean in a Bowl - The Origin of the Buddha Image
"The Buddha image...has constantly been under debate as to its origin and evolution...Some believe that the first Buddha image had come into being during the lifetime of the Buddha himself...For most scholars however...he earliest Buddha images come from around...some five hundred year after Buddha's Mahaparinirvana...early Buddhist art...sought to represent him by a number of symbols, or material motifs, which had remained associated with him...These motifs, the empty throne and stupa in particular, depicted rather, and with utmost thrust, only Buddha's absence, as it was in his absence that his devotees realized the presence of their Master...the artists, working as per the Buddhist tradition itself, saw Buddha more in the Dharma rather than in a human form...Even during the subsequent late phase...not a single Buddha image...has so far come to light, which does not depict one aspect or the other of the Dharma...It does not so much portray the Buddha as it does the Dharma..."
Published in Apr 2004
The Life of Buddha and the Art of Narration in Buddhist Thangka Paintings
"In its characteristic unique way, Buddhist thought divides the eventful life of its founder into twelve glorious "events." These defining incidents of his life are given visual form in densely packed sequences narrated in a special genre of paintings... These artworks not only delineate Buddha's gradual progress towards spiritual enlightenment, but also present a visual depiction of a vast number of abstract philosophical notions underlying esoteric Buddhism..."
Published in Mar 2004
Nepal - Adventures in a Living Museum
"One enters Nepal as a traveler, and leaves as a pilgrim... Nepal is the ideal place to rise above the theoretical... textbooks, and see the twin strands of Tantra and Shamanism... rooted in the eternal and faithful depths of Hinduism, and tempered by the sobering influence of Buddhism... the gods of Nepal do not represent a forgotten era of the past. The deities here are living, and participate in the ordinary existence of everyday life as much as we mere mortals do..."
Published in Feb 2004
The Ideals of Motherhood - Aesthetics of Form and Function
"providence has blessed women with the primary responsibility of the perpetuation of the human race. Understandably her physical body has been richly endowed for this glorious function To the connoisseur of Indian aesthetics, the profusion of voluptuous women dominating its canvas comes as no surprise But while celebrating the female body in glorious images the artist never loses sight of the fact that whatever nature creates, it creates with a purpose. No form is accidental and every natural form must have a divinely ordained function. Whatever be the artistic representation, it must glorify this inherent natural function "
Published in Jan 2004
Playing with Krishna - God as Child in Art and Mythology
"Wordsworth... said: 'Heaven lies about us in our infancy.'... as an infant and a child, Krishna is approachable... He can be approached with the intimacy with which a parent approaches a child... Such a god invites man to dispense with cumbersome formality and come to him openly, delighting in him intimately... Krishna's incarnation represents the human dimension of the divine... Krishna removes the poison of evil from this world while he joyously feeds on a mother's bosom... God as an infant does not govern the world from a majestic throne, but makes the world his playground and even while enjoying himself maintains the cosmic order. A child too seeks only to amuse himself, expressing his essential nature in every action..."
Published in Dec 2003
Buddha and Christ - Two Gods on the Path to Humanity
"Christ and Buddha, two manifestations of divinity, showed us that true salvation lies only on the path of humanity and compassion towards all. Indeed, through their humanity they are both related to us, and through their divinity, to god... 'Buddha and Christ are but local inflections of a universal archetype: the Cosmic Person imaging wholeness.'... Just as Buddha gained enlightenment by conquering the five senses, Christ, pinned in five places... nails down the five senses... Since they both embodied universal human aspirations and their ultimate realization... the art they inspired too would develop motifs which would elaborate similar principles, though the metaphors deployed would vary, being dependent upon local contexts."
Published in Nov 2003
The Eight Auspicious Symbols of Buddhism - A Study in Spiritual Evolution
"Buddhism has evolved over the centuries a complex, yet discernable scheme of symbolism which has found adequate expression in Buddhist art... Buddhist motifs [are] soaked in rich spiritual symbolism... [They are] said to represent Buddha's deep and resonant voice, through which he introduced his followers to the path of dharma... Undoubtedly, the most popular of such symbols is the group of eight, known in Sanskrit as 'Ashtamangala,' ashta meaning eight and mangala meaning auspicious. Each of these symbols is also individually associated with the physical form of the Buddha... Artistically, these motifs may be depicted individually, in pairs, in fours, or as a composite group of eight. Designs of these eight symbols adorn all manner of sacred and secular Buddhist objects, such as carved wooden furniture, metalwork, wall panels, carpets and silk brocades."
Published in Oct 2003
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna's own beauty"
Published in Sep 2003
Ganga The River Goddess - Tales in Art and Mythology
"Ganga is...(the) divine grace flowing on to our material world, as is visible in the prosperity of the fertile and rich crop-yielding regions adjacent to her banks... The intense devotion and love which her devotees feel for Ganga is no small measure due to the fact that she is the only accessible physical entity that flows both in the heavens and on the earth... Ganga is a river that has been at the core of sacred Hindu lore and tradition... As a mother, Ganga is tangible, approachable, and all accepting... Ganga's icon at the (temple) doorway... implies her status as a remover of pollution..."
Published in Aug 2003
The Five Meditating Buddhas - An Enquiry into Spiritual Aesthetics
"The five Dhyani Buddhas represent the five basic types of human personality and demonstrate the absolutely perfected form of these personality types... It is an ample demonstration of the genius of Vajrayana Buddhism that... weaknesses are not denied or suppressed... hope lies in the belief that the human mind holds within itself the potential to metamorphose these negative traits into positive attributes... All the five Dhyani Buddhas are said to have originated from Vajrasattva himself... Color is logically... one of the significant means through which Buddhist art gives a tangible form to human emotions and nowhere is this more explicitly displayed than in the typical iconography of the five Dhyani Buddhas..." Overall, the concept of Dhyanibuddhas is an important aspect of Vajrayana Buddhism and represents a state of pure consciousness and meditation. The five Dhyanibuddhas are associated with different directions, colors, elements, emotions, and symbols. They are often depicted in mandalas and meditating on them is believed to help overcome negative emotions and attain a state of pure consciousness.
Published in Jul 2003
The Shiva Linga - Images of Cosmic Manhood in Art and Mythology
"Shiva is worshipped in the form of the male organ of procreation, often alone, and frequently conjoined with the corresponding female organ, which is sculpted as a receptacle to receive Shiva's seed... The distinctive sign by which one can recognize the nature of something is called lingam... The linga is... a great equalizer... worshippers, regardless of sex, caste, or creed... (pour) generous libations on the linga, while simultaneously caressing it intimately... Shiva's liberated phallus represents this illuminating power rising heavenward beyond the material world. Thus is the linga likened to a pillar of light, guiding us to true knowledge..."
Published in Jun 2003
The Hindu Temple - Where Man Becomes God
"The Hindu Temple (dissolves) the boundaries between man and divinity... by putting into practice the belief that the temple, the human body, and the sacred mountain and cave, represent aspects of the same divine symmetry... The thought behind the design of a temple is a continuation of Upanishadic analogy, in which the atman (soul or the divine aspect in each of us) is likened to an embryo within a womb or to something hidden in a cave... Temples appeared on the horizon only in the Kali-yuga...(when) the gods ceased to come down and appear in their own or disguised forms. The architecture of the Hindu temple recreates the archetypal environment of an era when there was no need for such an architecture..."
Published in May 2003
Buddha - A Hero's Journey to Nirvana
"The Buddha's journey to spiritual awakening or 'Nirvana,'... perfectly mirrors the ... progressive development of a hero... Not at ease with his immediate environment... a constant unease gnaws at his heart, prompting him to question the very nature of his existence. This inner strife is the first inkling that a greater destiny lies ahead of the potential hero... Buddha was born an ordinary mortal. His path to fulfillment... was a journey full of exciting experiences and mistakes made. He learned from each of his mistakes, making it a springboard for all future, and finally the ultimate success... each of us... is capable and deserving of Nirvana, having a potential Buddha hidden in us..."
Published in Apr 2003
Shakti - Power and Femininity in Indian Art
"The earliest term applied to the divine feminine... is Shakti... Specifically, Shakti means power, force and feminine energy. She represents the fundamental creative instinct underlying the cosmos, and is the energizing force of all divinity, of every being and every thing... The yoni or female generative organ is... venerated for its obvious properties of fertility and growth... While Durga is the most potent icon to express the aggressive and destructive behavior of Shakti, Lakshmi is the quintessential goddess who proclaims her creative aspect... (It) is emphasized in the Gandharva Tantra (that) 'She who is the sun, moon, and fire, lays down the purusha (male) and enjoys him from above.'..."
Published in Mar 2003
The Stupa - Yoga's Sacred Architecture
"Since its beginnings in India, Buddhism has spread over an area... wherever you travel throughout this vast area, there is one type of architectural monument which is everywhere... This ubiquitous Buddhist monument is the stupa... it was the Buddha himself who outlined the basic design of the stupa... The Buddha's physical form... finds an echo in the stupa... The stupa by virtue of being the monument of Buddha's choice is deemed especially sacred... The spiritual merit of this monument is enhanced... by it being a reflection of the Cosmic Man, visualized in the ideals of Yoga, who resides in each of us..."
Published in Feb 2003
Vishnu - A Symbolic Appreciation
Curiously, the interpretative saga of Lord Vishnu begins with Lord Shiva. Once when man's wickedness overran all restraining boundaries, an infuriated Shiva transformed himself into a wrathful form known as Bhairava. Thus converted, Shiva began his rampage of destruction, killing, maiming, and ripping out the hearts of humans and drinking blood, his menacing laughter thundering all around. In Hindu esoteric imagination, the supreme and ultimate reality is believed to reside in the Universal Soul, which is said to pervade the entire manifested cosmos. The cosmos itself is thought to have evolved from this abstract entity, which is formless and devoid of any qualitative attributes (Skt. Nirguna Brahman). It is neither male nor female, and is infinite, without beginning or end. It is both around us and inside us. The goal indeed of all spiritual practice is to unite with this Supreme Soul.
Published in Jan 2003
The Philosophy of Yoga - An Aesthetic Appraisal
"Human nature is like a chariot yoked to a team of powerful horses. One of them is prana (breath), the other is vasana (desire)...the yogi masters the science of breath and by the regulation and control of breath, he controls the mind and stills its constant movement...Yoga is one of the most ancient spiritual concepts of East, and despite a philosophical look it has an equally significant physical basis...Yoga is a collection of simple practices...consisting of action, method and technique...the method by which the restless mind is calmed and the energy directed into constructive channels"
Published in Dec 2002
The Wheel of Life - Aesthetics of Suffering and Salvation
"'The Wheel of Life'...serves as a powerful inspiration to spiritual aspirants...to look deeply into their own inner beings...it is an attempt to convey spiritual insights behind our 'physical existence' in purely visual terms...(It) symbolically represents how...beings, who have not practiced the Dharma and liberated themselves, are bound in a cycle of existences whose very nature is suffering...One should intently and seriously contemplate the meaning of this wheel...Once this happens, the wish to be free of this mindless suffering is spontaneous and constant"
Published in Nov 2002
A Kali in Every Woman : Motherhood and the Dark Goddess Archetype
"It is well established in the canons of Indian thought that every woman mirrors in herself the divine feminine... Envisioned as totally naked, the visual tales of her terrible form do not end with her dense black color or with the skirt made up of decapitated hands...(or) the necklace made up of heads she has severed from the torsos of beings...The truth behind the mystery of Kali, it seems, is to not be found by a conventional appraisal of her physical appearance....it is the female of the species who comes out with honors here, by resolutely establishing that when they are wives and when they progress to being mothers, Kali forms an integral part of their characteristic buildup."
Published in Oct 2002
Dance of the Yogini : Images of Aggression in Tantric Buddhism
"Iconographic representations tend to show the dakini as a young, naked figure in a dancing posture, often holding a skull cup filled with menstrual blood or the elixir of life in one hand, and a curved knife in the other. She may wear a garland of human skulls, with a trident staff leaning against her shoulder. Her hair is usually wild and hanging down her back, and her face often wrathful in expression, as she dances on top of a corpse, which represents her complete mastery over ego and ignorance. Practitioners often claim to hear the clacking of her bone adornments as the dakinis indulge in their vigorous movement. Indeed these unrestrained damsels appear to revel in freedom of every kind."
Published in Sep 2002
Rama The Ideal Man : The Epic Adventure of a Hero
"Nobility is always a defining quality of the mythic hero. His actions are severe and punishing, or gentle as per the demand of the situation...(The) supreme display of detached attachment was worthy of Rama... Rama was a man. He was also a god...he inspires all of us 'ordinary' mortals to follow the path of a just and upright existence, unswerving in our faith of the correctness of it. This is the true inner journey of the hero, leading to the divine spark that blazes inside each of us, waiting to be discovered."
Published in Aug 2002
Each of us a Healer : Medicine Buddha and the Karma of Healing
"Karma is both action and the consequence of that action...if we want to create happiness in our own lives, we must learn to sow the seeds of happiness for others...In Buddhist tradition the first and primordial healer was the great Buddha himself...The Buddhist tradition identifies the Medicine Buddha as the ideal healer, and it also stresses that the utmost powers of healing lie within our own selves."
Published in Jul 2002
The Bodhisattva Ideal - Buddhism and the Aesthetics of Selflessness
"A bodhisattva wishes to help all beings attain nirvana. He must therefore refuse to enter nirvana himself, as he cannot apparently render any services...after his own nirvana... A bodhisattva can never love the body for its own sake... he cherishes it...because he will...save someone sometime somewhere... in the moment of tribulation."
Published in Jun 2002
Wisdom Goddesses - Mahavidyas and the Assertion of Femininity in Indian Thought
Each of the Devi's manifested forms made Shiva realize essential truths, made him aware of the eternal nature of their mutual love and most significantly established for always in the cannons of Indian thought the Goddess's superiority over her male counterpart. Not that Shiva in any way felt belittled by this awareness, only spiritually awakened. This is true as much for this Great Lord as for us ordinary mortals. Befittingly thus they are referred to as the Great Goddess's of Wisdom, known in Sanskrit as the Mahavidyas (Maha - great; vidya - knowledge). Indeed in the process of spiritual learning the Goddess is the muse who guides and inspires us. She is the high priestess who unfolds the inner truths.
Published in May 2002
The Dance of Shiva
"God of eroticism, Shiva is... the master of Yoga, which is described as the method used to sublimate virile power and transform it into mental and intellectual power. He is therefore the 'great Yogi.'... 'I have never renounced any vice: it is they who have left me' summarizes the message of Shiva."
Published in Apr 2002
Women and Jewelry - The Spiritual Dimensions of Ornamentation
Indeed, rarely is a traditional Indian ornament simply decorative and devoid of inherent meaning or symbolic value. Symbols found in Indian Jewelry act as a metaphorical language communicated from the wearer to the viewer. Such jewelry is created from an infinite reserve of symbolically significant forms and images, some obvious, some subtle, and some whose meaning is forgotten. Complementary to such thought is the conventional view where the graceful form of a woman is said to epitomize the ideal beauty and mystery inherent in nature. Thus, befittingly each and every part of the feminine physique including the head, torso, limbs, and between the appended parts - have consistently been used to support ornaments, often in ingenious ways.
Published in Mar 2002
Color Symbolism In Buddhist Art
"...there exists in Buddhism the concept of a rainbow body... the rainbow body signifies the awakening of the inner self to the complete reservoir of terrestrial knowledge that it is possible to access before stepping over the threshold to the state of Nirvana..." After knowing the qualities that you want to experience in your life such as peace, strength, wisdom, patience, and compassion, you can pick the color associated with that quality. With an element as simple as colors, you can transform your life into a rich, awakened, and transcendental experience, following the wisdom of Buddhist masters.
Published in Feb 2002
Every Woman a Goddess - The Ideals of Indian Art
"...the originator of families, the preserver of the established order and the perpetuator of traditions...As the Great Goddess rules the heavens, her earthly counterpart, the woman, rules the home..." The living traditions of India have always identified the female of the species with all that is sacred in nature. But it is not always the warrior woman who is identified with the goddess, but also woman as playful, lovable, and of course as the Mother. In a delightful vein it is conjectured that the kick of a woman is sufficient and necessary for blossoms to spring from the sacred Ashoka tree.
Published in Jan 2002
Om - An Inquiry into its Aesthetics, Mysticism, and Philosophy
"...God first created sound, and from these sound frequencies came the phenomenal world... Matter itself is said to have proceeded from sound and OM is said to be the most sacred of all sounds. It is the syllable which preceded the universe and from which the gods were created..."
Published in Dec 2001
Philosophy of Namaste and Comparison with the Handshake
"...the sacred sound 'namaste' is believed to have a quasi-magical value, corresponding to a creative energy change. This transformation is that of aligning oneself in harmony with the vibration of the cosmos itself...."
Published in Nov 2001
Islam - Aesthetics of a Mystic Religion
"...Islamic art conveys the spirituality and quintessential message of Islam through a timeless language which precisely because of its timelessness as well as its direct symbolism..."
Published in Oct 2001
What is Tantra? - The Art of Philosophy
Tantra has developed a system of thought which makes us see the universe as if it were within ourselves, and ourselves as if we were within the universe. Further the forces governing the cosmos on the macro-level are believed to govern the individual in the micro-level. According to tantra, the individual being and universal being are one. Thus all that exists in the universe must also exist in the individual body. One of our major limitations in discovering this essential unity between the microcosm and the macrocosm is that we are accustomed to analyze the world into its separate parts, with the result that we lose sight of those parts' inter-relationship and their underlying unity. The way to fulfillment is through recognition of our wholeness linking man and the universe. This hence is the broad aim of Tantra art, achieved through visual symbols and metaphors.
Published in Sep 2001
Mudras of the Great Buddha: Symbolic Gestures and Postures
Mudras are a non-verbal mode of communication and self-expression, consisting of hand gestures and finger-postures. They are symbolic sign based finger patterns taking the place, but retaining the efficacy of the spoken word, and are used to evoke in the mind ideas symbolizing divine powers or the deities themselves. The composition of a mudra is based on certain movements of the fingers; in other words, they constitute a highly stylized form of gestureal communication. It is an external expression of 'inner resolve', suggesting that such non-verbal communications are more powerful than the spoken word. Overall, mudras are an important aspect of Indian culture and spirituality, used in dance, yoga, and meditation practices to convey meanings and facilitate the flow of prana in the body. Their symbolism and therapeutic benefits make them a valuable tool in the practice of Indian art forms and spiritual practices.
Published in Aug 2001
Parvati - Goddess of Love & Devotion - Hindu Goddess
"In classical mythology the raison d'кtre of Parvati's birth is to lure Shiva into marriage and thus into the wider circle of married life from which he is aloof as a lone ascetic, living in the wilds of the mountains. The goddess represents the complementary pole to the ascetic, world-denying tradition in the Hindu ethos. In her role as maiden, wife, and later as a mother, she extends Shiva's circle of activity into the realm of the householder, where his stored-up energy is released in positive ways."
Published in Jul 2001
Ritual Implements in Tibetan Buddhism: A Symbolic Appraisal
"Rites and rituals are an essential part of Tibetan religion and reflect its practical side. Not restricted to temples alone, they are performed in a variety of places and circumstances, for a myriad of purposes. Daily ceremonies are conducted in temples, although they are perhaps not so elaborate as those that take place in Hindu temples in India and Nepal."
Published in Jun 2001
The Taj Mahal - Architecture of a Love Story
"As a tribute to a beautiful woman and as a monument for enduring love, the Taj reveals its subtleties when one explores it at leisure and not hurriedly. The rectangular base of Taj is in itself symbolic of the different sides from which to view a beautiful woman. The main gate is like a veil to a woman's face, which should be lifted delicately, gently and without haste on the wedding night. As per the charming Indian tradition the veil is lifted gently to reveal the beauty of the bride, in the couple's first night together."
Published in May 2001
Durga - Narrative Art of a Warrior Goddess
"...The Great Goddess Durga was born from the energies of the male divinities...The awesome three-eyed Goddess was adorned with the crescent moon...seas trembled as the Goddess engaged the Great Demon Mahisasura...Thus the reveries of Mahisa are exterminated..."
Published in Apr 2001
The Indian Sari - Fashioning the Female Form
"The Sari, it is said, was born on the loom of a fanciful weaver. He dreamt of a Woman. The shimmer of her tears. The drape of her tumbling hair. The colors of her many moods. The softness of her touch. All these he wove together. He couldn't stop. He wove for many yards. And when he was done, the story goes, he sat back and smiled and smiled and smiled".
Published in Mar 2001
Wrathful Guardians of Buddhism - Aesthetics and Mythology
An enigmatic aspect of Buddhist iconography is the presence of wrathful, terrifying forms. Though these awesome, hair-raising images seem contradictory to Buddhist ideals, they are not personifications of evil or demonic forces. Rather they symbolize the violence that is a fundamental reality of the cosmos in general, and of the human mind in particular. In addition to destroying the passions of the mind, the purpose of gods is to protect the faithful. The wrathful deities, who symbolize the tremendous effort it takes to vanquish evil, especially perform this function.
Published in Feb 2001
Ganesha - The Elephant Headed God
The chronicle of Ganesha’s might and glory in Indian religion and Hindu art is unending. Moved by the immensity of Sri Ganesha, Indian artists have handcrafted a range of magnificent Sri Ganesha murtis, which are the best way to feel the presence of Ganesha in your life. Exotic India Art brings to you an assemblage of handmade and divine icons of Parvati-Putra (son of goddess Parvati), sculpted by skilled artists following the established instructions of ancient iconographical traditions. Bring a statue home from our collection and experience living under the protective gaze of Sri Ganesha.
Published in Oct 2000
Mandala – Sacred Geometry in Buddhist Art
Perhaps the most admired and discussed symbol of Buddhist religion and art is the mandala, a word which, like guru and yoga, has become part of the English language. Its popularity is underscored by the use of the word mandala as a synonym for sacred space in scholarship world over, and by its presence in English-language dictionaries and encyclopedias. Both broadly define mandalas as geometric designs intended to symbolize the universe, and reference is made to their use in Buddhist and Hindu practices. The mandala idea originated long ago before the idea of history itself. In the earliest level of India or even Indo-European religion, in the Rig Veda and its associated literature, mandala is the term for a chapter, a collection of mantras or verse hymns chanted in Vedic ceremonies, perhaps coming from the sense of round, as in a round of songs. The universe was believed to originate from these hymns, whose sacred sounds contained the genetic patterns of beings and things, so there is already a clear sense of mandala as world-model.
Published in Sep 2000
Mother Goddess as Kali - The Feminine Force in Indian Art
This article highlights maa kali role in overcoming ignorance and evil, portraying her as a protector of the weak and a force of empowerment. The text delves into her origins in the Shakti tradition and her association with the divine feminine. Additionally, it touches on her worship practices and the cultural significance of Kali in various regions of India. Kali's fierce appearances have been the subject of extensive descriptions in several earlier and modern works. Though her fierce form is filled with awe- inspiring symbols, their real meaning is not what it first appears. Mother Goddess as Kali - The Feminine Force in Indian Art: An article exploring symbolism behind the Great Indian Goddess Kali, using her representations in art for explanation.
Published in Aug 2000
Love and Passion in Tantric Buddhist Art
"...The word Tantra itself is derived from the verbal root tan, meaning to 'weave'...Often the mother is shown in a posture with both legs around the father's waist...refer to the union of a lotus and vajra..." Notwithstanding the fact that the Buddha's essence is non-polar, Buddhist iconographers use sexual polarity to symbolize the twin concepts of insight and compassion. All goddesses are symbols of insight and the gods represent compassion. The union of compassion and insight symbolizes the non-polarized state of bodhicitta, or the mind of enlightenment, which is represented visually by showing two deities engaged in sexual union.
Published in Jul 2000
Birds and Animals in Indian Art - The Mughal Artist as a Naturalist
"Jahangir the fourth Mughal emperor (r. 1605-27), was a lover of beauty, be it that of an artifact created by human hands or that observed in nature, the work of god. His memoirs, commonly known as Tuzuk-I-Jahangiri or, Jahangirnama, are as much an album of his aesthetic experiences as a chronicle of his reign. With his keen sensibility, these experiences were a permanent source of joy for him. Nature and beauty were preserved through the brush of his artists."
Published in Jun 2000
The Life of Buddha in Legend and Art
"...The young prince Gautama Siddhartha was born into the ancient Sakya clan...he learned in a few days the sciences suitable to his race...Intrigued by his first encounter with old age...Four weeks after he began meditating under the Bodhi tree...on the night of a full moon, Sakyamuni attained enlightenment " Gautam Buddha's life and teachings offer valuable insights into the human condition and the pursuit of inner peace and enlightenment. His legacy continues to inspire and influence people around the world, and his teachings remain relevant and meaningful today.
Published in May 2000
Krishna the Divine Lover in Indian Art
The major gods in Indian art traditions have all been given consorts. They are rarely described as celibate recluses. In their incarnate form, they are explicit in their demonstrative attraction for the opposite sex. The goddesses do not lag behind. Their love for their husbands or lovers is often portrayed in an assertively earthy and sensual manner. Gods and goddesses represent a conscious duality, complementing each other. In the embrace of Krishna, the gopis, maddened with desire, found refuge; in their love dalliance with him who was the master in all the sixty-four arts of love, the gopis felt a thrill indescribable; and in making love with him in that climatic moment of release, in that one binding moment, they felt that joy and fulfillment which could not but be an aspect of the divine.
Published in Apr 2000
Sacred Buddhist Painting - The Tibetan Thangka
A Thangka is a painted or embroidered banner which was hung in a monastery or a family altar and carried by lamas in ceremonial processions. In Tibetan the word 'than' means flat and the suffix 'ka' stands for painting. The Thangka is thus a kind of painting done on flat surface but which can be rolled up when not required for display.
Published in Mar 2000
Technique of Batik Art
"The technique of batik is a demanding one. In general, the final design must be conceived before the picture is begun. The batik artist works intimately with color; if he wishes parts of his design to be light yellow, for example, all these parts must be waxed at the same time before any subsequent dyeing. He cannot isolate one part of his design and complete it before moving on to the others as an artist in oils or watercolor may; he must create his design in stages, each of which encompasses the whole picture."
Published in Feb 2000
Technique of Pata Chitra
"Pata is a Sanskrit derivation which literally means canvas so pata-painting means a scroll painting on canvas. The art of Pata Painting (or pata chitra) is practiced by the artists of Orissa, a state on the Eastern Coast of India. The painter first chooses two pieces (generally tussar silk) of cloth and he sticks the pieces together by means of a paste prepared from tamarind seeds. They are then dried in the sun."
Published in Jan 2000
Page 6 of 7
Previous
Next Page
1
2
3
4
5
6
7
Email a Friend
Note(optional)
Submit
Manage Wishlist
Item added to Wishlist
Current wishlist:
Save