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Venugopala Wearing Khadau (Flute Playing Krishna)
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22.7 inch Height x 12 inch Width x 4.5 inch Depth
11.4 kg
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Temple Flagstaff  (Kodimaram)
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22 inch Height x 6.3 inch Width x 5.4 inch Depth
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Jain Tirthankara
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12.8 kg
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Tibetan Buddhist Deity Vaishravana (Kubera)
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1.7 kg
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Peacock Fruit Bowl
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0.25 kg
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Tibetan Buddhist Deity Medicine Buddha
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1.7 kg
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Set of Four Rice Measuring Glasses
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Lord Ganesha with Surya and Marching Elephants Aureole
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Nataraja
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Dancing Radha Krishna
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Abhisheka Patra
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2 kg
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Complete Puja Thali Set for Worshipping Shiva Linga
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Kubera - The God of Wealth
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Lord Venkateshvara as Balaji at Tirupati
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Goddess Kali
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Four Armed Blessing Ardhanarishvara
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4 kg
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Blessing Buddha (Tibetan Buddhist)
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20 kg
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Abhisheka Patra
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Tibetan Buddhist Deity Buddha in Dharmachakra Mudra
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1.4 kg
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Large Size Dancing Ganesha Ritual Lamp
Bronze and Brass Statue
39 inch Height x 10.5 inch Width x 10.5 inch Depth
11.3 kg
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Pair of Decorated Surahi (Jug)
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0.72 kg
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Nataraja
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15 inch Height x 11.7 inch Width x 3.7 inch Depth
4.8 kg
Item Code: ZCV94
$225.00
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Ritual Lamp (Larg Size)
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36.2 inch Height x 8.5 inch Width x 8.5 inch Depth
6 kg
Item Code: ZCV96
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Shirdi Sai Baba
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6 inch Height x 2.7 inch Width x 2.2 inch Depth
1 kg
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What is the symbolism of Ganesha's elephant head? Why does Ganesha ride on a mouse? What is the spiritual significance of Lord Ganesha? How was Ganesha especially devoted towards his mother Parvati? What are the different symbols Ganesha holds in his hands? These are some of the questions this article answers.
Ganesha - the Elephant Headed God, Art and Mythology
The role of the goddess as one who fulfills wishes has remained one of enduring strength and consequence. In the ancient collection of sacred hymns known as the Veda, this aspect of the goddess already becomes manifest. The two most shining examples in this context are The Great Goddesses Lakshmi and Saraswati.
Hindu Goddesses - Lakshmi and Saraswati- Exotic India Art
"'The world rests as the lotus in the palm of my hand, the cosmos revolves around my finger like a discus. I blow the music of life through my conch and wield my mace to protect all creatures'... Vishnu is the Preserver, the protector of all humanity. A deity who saves mankind from calamities which result from its own foibles... (a) popular icon of Vishnu shows him in a dreamlike state reclining upon a mighty serpent and floating upon the primordial waters. Vishnu in his dream state represents that gap in time when creation stands withdrawn and eternity awaits the birth of a new age..."
Vishnu - A Symbolic Appreciation
"The Buddha image...has constantly been under debate as to its origin and evolution...Some believe that the first Buddha image had come into being during the lifetime of the Buddha himself...For most scholars however...he earliest Buddha images come from around...some five hundred year after Buddha's Mahaparinirvana...early Buddhist art...sought to represent him by a number of symbols, or material motifs, which had remained associated with him...These motifs, the empty throne and stupa in particular, depicted rather, and with utmost thrust, only Buddha's absence, as it was in his absence that his devotees realized the presence of their Master...the artists, working as per the Buddhist tradition itself, saw Buddha more in the Dharma rather than in a human form...Even during the subsequent late phase...not a single Buddha image...has so far come to light, which does not depict one aspect or the other of the Dharma...It does not so much portray the Buddha as it does the Dharma..."
Putting The Ocean in a Bowl - The Origin of the Buddha Image
"...the first ever image defined by humanity was not a thing chiseled to a likeness, but such likeness was only discovered in it...the image of the Divine, discovered or made, and its worship, were quite in vogue much before Buddha's days...Buddhist themes first make their appearance in...a number of monolithic pillars surmounted with animal capitals aiming at invoking man's reverence for all creatures, which was the prime thrust of Buddhism...the mind of the Buddhist sculptor, which had so far wrestled between the 'image' and the 'non-image', had at last discovered 'one' in the 'other', that is, the motif in man and the man in motif...it is yet a matter of debate whether (the) early...images were sculpted at Mathura or in Gandhara region...Gandhara images of Buddha are more akin to Greek models, whereas Mathura images show a continuity of its own indigenous tradition...During over 2500 years of its emergence the Buddha image has always been growing and evolving and is today the most loved and preferred image for a drawing room, irrespective to whom and to which land it belongs"
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